{"id":46092,"date":"2022-07-15T09:26:32","date_gmt":"2022-07-15T07:26:32","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event-digital&#038;p=46092"},"modified":"2022-10-06T11:09:13","modified_gmt":"2022-10-06T09:09:13","slug":"access-for-who","status":"publish","type":"event-digital","link":"https:\/\/www.humboldtforum.org\/de\/programm\/digitales-angebot\/digital\/access-for-who-46092\/","title":{"rendered":"Access for who? Podcast mit Chao Tayiana Maina und Molemo Moiloa"},"content":{"rendered":"<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>Der\u00a0<strong>Access For Who?\u00a0<\/strong>Podcast, moderiert von Chao Taiyana Maina und Molemo Moiloa, ist eine\u00a0f\u00fcnfteilige\u00a0Miniserie\u00a0auf Englisch, die eine Diskussion \u00fcber die Digitalisierung des kulturellen Erbes aus Afrika ansto\u00dfen soll. Da es oft hei\u00dft, Digitalisierung sei ein Weg, um Sammlungen f\u00fcr die Zukunft zu bewahren, bekanntzumachen und sich vermehrt mit ihnen auseinanderzusetzen, fragen sie genauer nach:\u00a0 F\u00fcr wen? Und f\u00fcr welche Zwecke? Und treffen beim Digitalisieren Entscheidungen, die sicherstellen, dass diese Ziele auf ethische und gerechte Weise erreicht werden?<\/p>\n<p>Um den schwierigen Fragen auf den Grund zu gehen, die durch die Digitalisierung des Kulturerbes aus Afrika aufgeworfen werden, haben die beiden mit Expert*innen aus dem gro\u00dfen Spektrum des Kulturerbes, des Digitalen, des geistigen Eigentums und der Museumsarbeit gesprochen &#8211; alle vorwiegend auf dem afrikanischen Kontinent t\u00e4tig.\u00a0Unter den G\u00e4sten des Podcasts befinden sich Temi Odumosu, Nothando Migogo, Neema Iyer, Minne Atairu, K\u1ecd\u0301l\u00e1 T\u00fab\u1ecd\u0300s\u00fan, Golda Ha-Eiros, Andrea Wallace, Samba Yonga und Mulenga Kapwepwe.<\/p>\n<p>Der Podcast wurde produziert von Chao Tayiana Maina und Molemo Moiloa, unter wissenschaftlicher Mitarbeit von Phumizile Nombuso Twala und Lethabolaka Gumede. Dank geht an Josh Chiundiza f\u00fcr die Musik, Karugu Maina f\u00fcr das Design und Annelien van Heymbeeck f\u00fcr den Schnitt.<\/p>\n<p>Dieser Podcast wird pr\u00e4sentiert von\u00a0<em>Open Restitution Africa<\/em>, eine Kollaboration zwischen\u00a0<em>African Digital Heritage<\/em>\u00a0und\u00a0<em>Andandi.Africa<\/em>.\u00a0Er wurde erm\u00f6glicht durch die Stiftung Humboldt Forum im\u00a0<span class=\"w-term-highlight\">Berliner Schloss<\/span>, als Teil der 99 Fragen Podcastreihe und im Rahmen einer 99 Fragen Residenz.<\/p>\n<p>Um das Thema des Podcasts einer breiteren \u00d6ffentlichkeit zug\u00e4nglich zu machen, sind die Transkripte der Episoden auf <a href=\"https:\/\/www.humboldtforum.org\/wp-content\/uploads\/2022\/07\/Access-For-Who-Zine-English-Layout-full-size-1.pdf\">Englisch<\/a>, <a href=\"https:\/\/www.humboldtforum.org\/wp-content\/uploads\/2022\/07\/Access-For-Who-Zine-French-Layout-full-size-1.pdf\">Franz\u00f6sisch<\/a> und <a href=\"https:\/\/www.humboldtforum.org\/wp-content\/uploads\/2022\/10\/Access-For-Who-Zine-German-Layout-full-size.pdf\">Deutsch<\/a> in einem kostenlosen Zine erh\u00e4ltlich.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Access for who? Trailer<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>Der Trailer umrei\u00dft, was die H\u00f6rer*innen bei dem von Chao Taiyana Maina und Molemo Moiloa moderierten<strong>\u00a0Access for who?\u00a0<\/strong>Podcast erwartet.<\/p>\n<p>Sie widmen sich intensiv dem Thema der digitalen Restitution &#8211; sofern digitale Restitution als eine Strategie zum Bewahren und Erhalt (von Sammlungen) pr\u00e4sentiert wird, fragen sie genauer nach: F\u00fcr wen (gilt dies)? Zu welchen Zwecken (geschieht dies)? Und werden beim Digitalisieren Entscheidungen getroffen, die sicherstellen, dass diese Ziele auf ethische und gerechte Weise erreicht werden?<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/3V9gDmQEiDctUAB6f931Jm?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Episode 1 &#8211; Digital from an African perspective<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>mit Temi Odumosu, K\u1ecd\u0301la\u0301 Tu\u0301b\u1ecd\u0300su\u0301n, Mulenga Kapwepwe, Neema Iyer<\/strong><\/p>\n<p>Diese Folge beginnt, indem die Moderatorinnen und ihre G\u00e4ste \u00fcber die M\u00f6glichkeiten nachdenken, welche die digitale Technologie f\u00fcr Gesellschaften in Afrika bereith\u00e4lt, ohne gleichzeitig die Ungleichheiten und Vorurteile au\u00dfer Acht zu lassen, die darin verankert sind. Gemeinsam untersuchen sie Konzepte von digitaler Zug\u00e4nglichkeit und digitaler Neutralit\u00e4t im Hinblick auf Sprachen, Geschichten und Wissenssysteme aus Afrika, w\u00e4hrend sie dar\u00fcber nachdenken, was es bedeutet, eine gerechte digitale Zukunft innerhalb und au\u00dferhalb von Museumsr\u00e4umen zu schaffen.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/1ozdLm5J2d66wLJ7FLnUIJ?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show notes \/ Resources\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShownotesResources\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69d608e2c1c57\" id=\"acc_title_69d608e2c1c5a\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show notes \/ Resources<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69d608e2c1c57\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p><strong>Neema:<\/strong><br \/>\n<em>feminist collective civic tech organisation: Pollicy<\/em>\u00a0&#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/pollicy.org\/\" rel=\"nofollow\">https:\/\/pollicy.org\/<\/a><br \/>\n<a class=\"external-link\" href=\"http:\/\/archive.pollicy.org\/feministdata\/\" rel=\"nofollow\">archive.pollicy.org\/feministdata\/<\/a><br \/>\n<a class=\"external-link\" href=\"http:\/\/archive.pollicy.org\/digitalextractivism\/\" rel=\"nofollow\">archive.pollicy.org\/digitalextractivism\/<\/a><\/p>\n<p><em>Terms &amp; Conditions Podcast<\/em>\u00a0&#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/twitter.com\/tcafricapodcast\" rel=\"nofollow\">https:\/\/twitter.com\/tcafricapodcast<\/a><\/p>\n<p><strong>K\u1ecd\u0301la\u0301 Tu\u0301b\u1ecd\u0300su\u0301n<\/strong>\u00a0&#8211;\u00a0<a class=\"external-link\" href=\"http:\/\/kolatubosun.com\/\" rel=\"nofollow\">kolatubosun.com<\/a><\/p>\n<p><strong><a class=\"external-link\" href=\"http:\/\/yorubaname.com\/\" rel=\"nofollow\">YorubaName.com<\/a><\/strong>\u00a0is an online intervention to preserve and document all Yoruba names in a multimedia format. It is part of a long-term project to document all types of African cultural experiences on the internet as a way of ensuring the survival of African identities in their various expressions.<\/p>\n<p><a class=\"external-link\" href=\"https:\/\/www.yorubaname.com\/\" rel=\"nofollow\">https:\/\/www.yorubaname.com\/<\/a><\/p>\n<p><strong>Temi Odumosu<\/strong>\u00a0&#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/www.temiodumosu.com\/\" rel=\"nofollow\">https:\/\/www.temiodumosu.com\/<\/a><\/p>\n<p><strong>The Women\u2019s History Museum Zambia<\/strong>\u00a0&#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/www.whmzambia.org\/\" rel=\"nofollow\">https:\/\/www.whmzambia.org\/<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Episode 2.1 &#8211; Digital Collections\t<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>mit Temi Odumosu, Golda Ha-Eiros, Samba Yonga, Mulenga Kapwepwe<\/strong><\/p>\n<p>Diese Folge h\u00e4lt eine eingehende Besch\u00e4ftigung mit den Urspr\u00fcngen der Museumsarbeit und mit den kolonialen Wurzeln von Sammlungen in Museen bereit. Wie kam es dazu, dass westliche Museen Hunderttausende von Objekten anh\u00e4uften? Wie beeinflusst dieses Verm\u00e4chtnis die heutige Digitalisierung? Die Gespr\u00e4chspartner*innen erkunden, auf welche Arten Museumsfachleute in Afrika dieses fest verankerte Verm\u00e4chtnis \u00fcberwinden, um innovative Ans\u00e4tze zu entwickeln, in denen das\u00a0indigene\u00a0Wissen in den Mittelpunkt gestellt wird und der Fokus auf den Menschen anstatt auf den Objekten liegt.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/5faIUAGQlKGrjivvDNgebs?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show notes \/ Resources\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShownotesResources\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69d608e2c3550\" id=\"acc_title_69d608e2c3552\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show notes \/ Resources<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69d608e2c3550\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p><strong>Museum history and Cabinets of Curiosity<\/strong><br \/>\n<em>\u201cTo be or not to be colonial: Museums facing their exhibitions\u201d &#8211;\u00a0<a class=\"external-link\" href=\"http:\/\/www.scielo.org\/\" rel=\"nofollow\">http:\/\/www.scielo.org<\/a>.<\/em><br \/>\n<em>mx\/scielo.php?script=sci_arttext&amp;pid=S1870-11912010000200005<\/em><\/p>\n<p><em>\u201cUniversal Museums\u201d: New Contestations, New Controversies\u201d &#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/www.iwgia.org\/%20images\/publications\/0028_Utimut_heritage.pdf#page=31\" rel=\"nofollow\">https:\/\/www.iwgia.org\/images\/publications\/0028_Utimut_heritage.pdf#page=31<\/a><\/em><\/p>\n<p><em>\u201cReinventing Africa: museums, material culture, and popular imagination in late<\/em><br \/>\n<em>Victorian and Edwardian England\u201d &#8211;\u00a0<a class=\"external-link\" href=\"https:\/\/yalebooks.yale.edu\/book\/9780300068900\/\" rel=\"nofollow\">https:\/\/yalebooks.yale.edu\/book\/9780300068900\/reinventing-africa\/<\/a><\/em><\/p>\n<p><strong>Africa Museum Tervuren<\/strong><br \/>\n<em>The origin of the AfricaMuseum dates back to the Brussels International Exposition of 1897. At King Leopold II\u2019s behest, the \u2018Colonial Section\u2019 of the exhibition was moved to the Africa Palace (formerly known as the \u2018Colonial Palace\u2019) in Tervuren.<\/em><br \/>\n<em>Leopold II saw the museum as a propaganda tool for his colonial project, aimed at attracting investors and winning over the Belgian population. It was in 1898 that the temporary exhibition became the first permanent museum of the Congo. The institute has always served the dual purpose of museum and scientific institute.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/www.africamuseum.be\/en\" rel=\"nofollow\">https:\/\/www.africamuseum.be\/en<\/a><\/em><\/p>\n<p><strong>Daphne: Provenance project of the SKD Museum in Germany<\/strong><\/p>\n<p><em><a class=\"external-link\" href=\"https:\/\/www.skd.museum\/en\/forschung\/provenienzforschung\/\" rel=\"nofollow\">https:\/\/www.skd.museum\/en\/forschung\/provenienzforschung\/<\/a><\/em><\/p>\n<p><strong>National Museum of Namibia<\/strong><\/p>\n<p><em><a class=\"external-link\" href=\"https:\/\/www.museums.com.na\/museums\/windhoek\/national-museum-of-namibia\" rel=\"nofollow\">https:\/\/www.museums.com.na\/museums\/windhoek\/national-museum-of-namibia<\/a>\u00a0<\/em><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Episode 2.2 &#8211; Digital Collections<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>mit Temi Odumosu, Minne Atairu, K\u1ecd\u0301la\u0301 Tu\u0301b\u1ecd\u0300su\u0301n,\u00a0Samba Yonga, Mulenga Kapwepwe, Neema Iyer<\/strong><\/p>\n<p>In dieser Folge besch\u00e4ftigen sich die Gespr\u00e4chspartner*innen damit, inwiefern die Arbeit im Digitalen auch eine Form von\u00a0<em>repair<\/em>\u00a0(Regeneration oder Wiederaneignung),\u00a0<em>care\u00a0<\/em>(F\u00fcrsorge) und Wissenserzeugung sein kann. Angesichts der Herausforderungen rund um die Zug\u00e4nglichkeit von Daten, das Fehlen von Archiven und der physischen Entnahme von Objekten aus Gemeinschaften &#8211; wie schaffen digitale Sammlungen Raum f\u00fcr neue Narrative und Vorstellungen aus Afrika? Welches Potenzial birgt die digitale Restitution f\u00fcr das Kulturerbe aus Afrika? Und wie kann dies zur physischen R\u00fcckgabe von Artefakten beitragen?<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/11QwphQWVP7diufkI7Eamc?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes \/ Resources\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotesResources\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69d608e2c4c7e\" id=\"acc_title_69d608e2c4c80\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes \/ Resources<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69d608e2c4c7e\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p><strong>Minne Atairu<\/strong><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/www.minneatairu.com\/\" rel=\"nofollow\">https:\/\/www.minneatairu.com\/<\/a><\/em><br \/>\n<em>Igun AI:\u00a0<a class=\"external-link\" href=\"https:\/\/igun.minneatairu.com\/\" rel=\"nofollow\">https:\/\/igun.minneatairu.com\/<\/a><\/em><\/p>\n<p><strong>Benin Dialogue Group<\/strong><br \/>\n<em>A central objective of the Benin Dialogue Group is to work together to establish a museum in Benin City that will facilitate a permanent display reuniting Benin works of art dispersed in collections around the world.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/markk-hamburg.de\/en\/benin-dialogue\/\" rel=\"nofollow\">https:\/\/markk-hamburg.de\/en\/benin-dialogue\/<\/a><\/em><\/p>\n<p><strong>Afromask NFTs<\/strong><br \/>\n<em>A series of artworks that capture reimagined traditional masks of African peoples as futuristic elements.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/www.instagram.com\/afro_masks\/\" rel=\"nofollow\">https:\/\/www.instagram.com\/afro_masks\/<\/a><\/em><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Episode 3 &#8211; Ownership and Intellectual Property Collections<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>mit Nothando Migogo, Andrea Wallace, Mulenga Kapwepwe<\/strong><\/p>\n<p>Angesichts der bereits umstrittenen materiellen Sammlungen, untersucht diese Folge die komplexen und vielschichtigen Fragen rund um den rechtm\u00e4\u00dfigen Besitz von digitalen Sammlungen. W\u00e4hrend westliche IP-Systeme auf individuellem Besitz beruhen, zielen indigene Wissenssysteme auf einen gemeinschaftlichen und kollektiven Nutzen ab. Welche Einschr\u00e4nkungen und Gefahren ergeben sich daraus im Zusammenhang mit der massenhaften Digitalisierung? Wer hat \u00fcberhaupt das Recht, digitale Kopien zu erstellen? Und wie k\u00f6nnen wir uns rechtm\u00e4\u00dfigen Besitz au\u00dferhalb des westlich ausgerichteten Kontextes vorstellen?<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/6zxZtkTgJE5jvcPJycukF0?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes \/ Resources\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotesResources\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69d608e2c63b0\" id=\"acc_title_69d608e2c63b3\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes \/ Resources<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69d608e2c63b0\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p><strong>The Other Nefertiti<\/strong><br \/>\n<em>Talk by one of the artists:\u00a0<a class=\"external-link\" href=\"https:\/\/vimeo.com\/239598613\" rel=\"nofollow\">https:\/\/vimeo.com\/239598613<\/a><\/em><br \/>\n<em>Article by Hyperallergic (free):\u00a0<a class=\"external-link\" href=\"https:\/\/hyperallergic.com\/647998\/what-the-nefertitihack-tells-us-about-digital-colonialism\/\" rel=\"nofollow\">https:\/\/hyperallergic.com\/647998\/what-the-nefertitihack-tells-us-about-digital-colonialism\/<\/a><\/em><\/p>\n<p><strong>Nefertiti copies for sale<\/strong><br \/>\n<em>Neues Museums sells copies of the Nefertiti for 8900\u20ac (as of 25 June 2022)\u00a0<a class=\"external-link\" href=\"http:\/\/www.gipsformerei-katalog.de\/sammlungsgebiete\/aegypten\/2751\/nofretete\" rel=\"nofollow\">https:\/\/www.gipsformerei-katalog.de\/sammlungsgebiete\/aegypten\/2751\/nofretete<\/a><\/em><\/p>\n<p><strong>Creative Commons<\/strong><br \/>\n<em>The Creative Commons copyright licenses and tools forge a balance inside the\u00a0<\/em><em>traditional \u201call rights reserved\u201d setting that copyright law creates. Our tools give\u00a0<\/em><em>everyone from individual creators to large companies and institutions a simple,\u00a0<\/em><em>standardized way to grant copyright permissions to their creative work. The\u00a0<\/em><em>combination of our tools and our users is a vast and growing digital commons, a pool\u00a0<\/em><em>of content that can be copied, distributed, edited, remixed, and built upon, all within the\u00a0<\/em><em>boundaries of copyright law.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/creativecommons.org\/\" rel=\"nofollow\">https:\/\/creativecommons.org\/<\/a><\/em><\/p>\n<p><strong>Seana Marena Blankets<\/strong><br \/>\n<em>The Seanamarena brand is the original form of all \u2018Basotho blankets\u2019. This brand dates back to the 1930\u2019s when it was created by the late Mr Charles Hendry Robertson who owned a trading store in Leribe called Seanamarena. The word \u2018Seanamarena\u2019 means \u2018to swear by the Chiefs\u2019. The Collection features the famous Poone design with its corncob motif. In Basotho culture the corncob is a symbol of fertility and wealth. The Chromatic design derives its name from its creator\u2019s initials C.H.R.\u00a0<a class=\"external-link\" href=\"https:\/\/www.aranda\/\" rel=\"nofollow\">https:\/\/www.aranda<\/a>.<a class=\"external-link\" href=\"http:\/\/co.za\/products\/seanamarena-chromatic\" rel=\"nofollow\">co.za\/products\/seanamarena-chromatic<\/a><\/em><\/p>\n<p><em>Louis Vuitton:\u00a0<a class=\"external-link\" href=\"https:\/\/www.enca.com\/life\/cultural-appropriation-or-appreciation-louisvuitton-turns-basotho-blankets-into-expensive\" rel=\"nofollow\">https:\/\/www.enca.com\/life\/cultural-appropriation-or-appreciation-louisvuitton-turns-basotho-blankets-into-expensive<\/a><\/em><\/p>\n<p><strong>Injera<\/strong><br \/>\n<em>Injera is a sour fermented flatbread with a slightly spongy texture, traditionally made of teff flour. In Ethiopia, Eritrea, and some parts of Sudan, injera is the staple; also eaten in other countries in East Africa, injera is central to the dining process, like bread or rice<\/em><br \/>\n<em>elsewhere.<\/em><\/p>\n<p><em>Theft of IP and battle to get it back:\u00a0<a class=\"external-link\" href=\"https:\/\/qz.com\/africa\/1545111\/ethiopias-teff-flouris-no-longer-patented-as-a-dutch-invention\/\" rel=\"nofollow\">https:\/\/qz.com\/africa\/1545111\/ethiopias-teff-flouris-no-longer-patented-as-a-dutch-invention\/<\/a><\/em><\/p>\n<p><strong>Hakuna Matata<\/strong><\/p>\n<p><em>Disney trademark:\u00a0<a class=\"external-link\" href=\"https:\/\/www.npr.org\/sections\/goatsandsoda\/2018\/12\/14\/676703629\/\" rel=\"nofollow\">https:\/\/www.npr.org\/sections\/goatsandsoda\/2018\/12\/14\/676703629\/swahili-speakers-horrified-by-disneys-trademark-of-hakuna-matata?t=1657548541742<\/a><\/em><\/p>\n<p><strong>Ngadji drum<\/strong><br \/>\n<em>The Ngadji is a drum belonging to the Pokomo community of Kenya. Once hidden in sacred places within forests by elders of this community, the drum played a central role in the community\u2019s way of life. It was once revered as Pokomo\u2019s center of sovereign power. The Ngadji was stolen by British colonial officers in the early 1900\u2019s and is now kept in storage at the British Museum.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/www.washingtonpost.com\/world\/2019\/08\/09\/kenyas-pokomo-people-askbritish-return-what-was-stolen-their-source-power\/\" rel=\"nofollow\">https:\/\/www.washingtonpost.com\/world\/2019\/08\/09\/kenyas-pokomo-people-ask-british-return-what-was-stolen-their-source-power\/<\/a><\/em><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Episode 4 &#8211; African Data Futures<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy block-no-margin\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>mit Angela Okune, Temi Odumosu, Minne Atairu, Andrea Wallace, Neema Iyer<\/strong><\/p>\n<p>Die beiden Gastgeberinnen und ihre G\u00e4ste n\u00e4hern sich dem Ende der Staffel und fragen: Wie k\u00f6nnen wir eine nachhaltige digitale Infrastruktur aufbauen, die auf die Bed\u00fcrfnisse der Menschen und Afrikas zugeschnitten ist? Sie besch\u00e4ftigen sich mit indigener Datenhoheit,\u00a0<em>data stewardship\u00a0<\/em>(<em>&#8222;<\/em>Datenverantwortung&#8220;) und kreativen Strategien f\u00fcr die kollektive Pflege digitaler Daten &#8211; unter der Voraussetzung, dass digitale Sammlungen keine R\u00fcckwendung zu einer idealisierten Vergangenheit sind, sondern vielmehr eine Hinwendung zu einer kollektiv erdachten Zukunft.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe loading=\"lazy\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/3NdG5gm74YSfYpu8A6L0bt?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes \/ Resources\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotesResources\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69d608e2c791f\" id=\"acc_title_69d608e2c7922\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes \/ Resources<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69d608e2c791f\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p><strong>Angela Okune<\/strong><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/angelaokune.me\/\" rel=\"nofollow\">https:\/\/angelaokune.me\/<\/a><\/em><\/p>\n<p><strong>The Nest Collective<\/strong><br \/>\n<em>The Nest Collective is a multidisciplinary collective living and working in Nairobi, Kenya.<\/em><br \/>\n<em><a class=\"external-link\" href=\"https:\/\/www.thisisthenest.com\/\" rel=\"nofollow\">https:\/\/www.thisisthenest.com\/<\/a><\/em><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">Abonnieren Sie den Podcast auf<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-nba\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-xs-12\">\n                <div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/open.spotify.com\/show\/2ifA301m2qWMMu8bFz3SFG\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">Spotify<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/podcasts.google.com\/feed\/aHR0cHM6Ly9hbmNob3IuZm0vcy81YTkzNWFlNC9wb2RjYXN0L3Jzcw==\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">Google Podcasts<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/radiopublic.com\/99-questions-podcast-Wwepoy\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">RadioPublic<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-teaser col-1 has-bg\" style=\"--teaser-bg:#f2f2f2\">\n\t<lazy-component :fixed-min-height=\"400\">\n\t\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t<div class=\"row bottom-xs\">\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2\">\n\t\t\t\t\t\t<h4>Geh\u00f6rt zu<\/h4>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2 start-xs end-md margin-bottom-sixth\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<ul class=\"row\">\n\t\t\t\n<li class=\"col-xs-12 teaser-wrapper col-padding-remove\">\n\t<calendarteaser key=\"141889293\" rawitem='{&quot;postId&quot;:14188,&quot;title&quot;:&quot;99 Fragen&quot;,&quot;excerpt&quot;:&quot;&quot;,&quot;slug&quot;:&quot;99-fragen&quot;,&quot;type&quot;:&quot;event-sequence&quot;,&quot;post_date&quot;:&quot;2020-10-23T16:09&quot;,&quot;permalink&quot;:&quot;https:\\\/\\\/www.humboldtforum.org\\\/de\\\/programm\\\/event-reihe\\\/diskurs\\\/99-fragen-14188\\\/&quot;,&quot;genre&quot;:[392,564],&quot;genre_details&quot;:[{&quot;text&quot;:&quot;Diskurs&quot;,&quot;id&quot;:392,&quot;icon&quot;:null,&quot;parent&quot;:0},{&quot;text&quot;:&quot;Wissenschaft&quot;,&quot;id&quot;:564,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;topic&quot;:[782],&quot;topic_details&quot;:[{&quot;text&quot;:&quot;Kolonialismus und Kolonialit\\u00e4t&quot;,&quot;id&quot;:782,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;stakeholder&quot;:[382],&quot;stakeholder_details&quot;:[{&quot;text&quot;:&quot;Stiftung Humboldt Forum im Berliner Schloss&quot;,&quot;id&quot;:382,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;icon_overwrite&quot;:&quot;&quot;,&quot;acf&quot;:{&quot;belongsto&quot;:false,&quot;shorturl&quot;:&quot;99fragen&quot;,&quot;highlight_header&quot;:false,&quot;featured_images&quot;:[17911],&quot;tipp&quot;:false,&quot;joker&quot;:false,&quot;live&quot;:false,&quot;announcement&quot;:&quot;Eine forschungsorientierte Programmplattform&quot;,&quot;hyphenation&quot;:true,&quot;yt&quot;:&quot;&quot;,&quot;noindex&quot;:false,&quot;keywords&quot;:&quot;&quot;,&quot;additional_info&quot;:{&quot;icon&quot;:&quot;0&quot;,&quot;text&quot;:&quot;&quot;},&quot;use_video_in_teasers&quot;:false,&quot;manual_period&quot;:false,&quot;hide_event_in_program&quot;:false,&quot;has_mobile_format&quot;:false,&quot;overwrite_date&quot;:&quot;Eine forschungsorientierte Programmplattform&quot;,&quot;events&quot;:[127815]},&quot;date&quot;:{&quot;NLAST&quot;:&quot;202404251900&quot;,&quot;NX&quot;:null,&quot;NXX&quot;:null,&quot;from_DATE&quot;:&quot;20240425 19:00&quot;,&quot;from&quot;:1714057200,&quot;to&quot;:1714057200,&quot;to_DATE&quot;:&quot;20240425 19:00&quot;,&quot;from_HRFSHORT&quot;:&quot;25. Apr 2024&quot;,&quot;from_HRFSHORT_WD&quot;:&quot;Do 25.04.2024&quot;,&quot;to_HRFSHORT&quot;:&quot;25. Apr 2024&quot;,&quot;to_HRFSHORT_WD&quot;:&quot;Do 25.04.2024&quot;,&quot;from_HRF&quot;:&quot;Do, 25. April 2024&quot;,&quot;to_HRF&quot;:&quot;Do, 25. April 2024&quot;,&quot;from_to_HRF&quot;:&quot;Do, 25. April \\u2013 Do, 25. April 2024&quot;,&quot;from_to_HRFSHORT&quot;:&quot;25. Apr \\u2013 25. Apr 2024&quot;},&quot;alert&quot;:null,&quot;partof&quot;:[],&quot;marketing_topic&quot;:&quot;&quot;}' inline-template>\n\t<a href=\"https:\/\/www.humboldtforum.org\/de\/programm\/event-reihe\/diskurs\/99-fragen-14188\/\" class=\"teaser teaser-event-sequence teaser-event-standard\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-sm-6 col-md-5 col-sm-offset-1 col-md-offset-2 first-sm teaser-event-text Infos\">\n\t\t\t\t<div class=\"teaser-event-standard-text\">\n\t\t\t\t\t<div class=\"margin-bottom-atom\">\n\t\t\t\t\t\t<div class=\"subline clamp-1\" v-html=\"maingenre\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t<strong class=\"margin-bottom-atom h5\">99 Fragen<\/strong>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"teaser-bottom border-bottom\">\n\t\t\t\t<calendardateline :rawitem='item' :show-icon=\"true\"><\/calendardateline>\n\t\t\t\t\t<hr>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"col-xs-12 col-sm-4 col-md-3 teaser-event-image bottom-xs first-xs\">\n\t\t\t\t<div class=\"teaser-image teaser-image-no-alternate\">\n\t\t\t\t\t\t\t\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69d608e2e60da\" aria-labelledby=\"desc_media_69d608e2e60da\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-300x180.jpg\",\"width\":300,\"height\":180,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-1024x613.jpg\",\"width\":1024,\"height\":613,\"mime-type\":\"image\\\/jpeg\"},\"thumbnail\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-768x460.jpg\",\"width\":768,\"height\":460,\"mime-type\":\"image\\\/jpeg\"},\"small\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-440x264.jpg\",\"width\":440,\"height\":264,\"mime-type\":\"image\\\/jpeg\"},\"semi\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-580x347.jpg\",\"width\":580,\"height\":347,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-720x431.jpg\",\"width\":720,\"height\":431,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-1280x767.jpg\",\"width\":1280,\"height\":767,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-1920x1150.jpg\",\"width\":1920,\"height\":1150,\"mime-type\":\"image\\\/jpeg\"},\"1536x1536\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2-1536x920.jpg\",\"width\":1536,\"height\":920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"201130_LOS_55_Webteaser_Studio3_99Fragen2.jpg\",\"width\":2000,\"height\":1198}},\n\t\t\t\t\"alt\" : \"Ein Ausstellungsraum mit geneigtem Quadrat, in welchem sich die Zahl \\\"99\\\" und zwei weitere Fotos befinden, in der Mitte\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2020\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Video abspielen\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : {\"top\":\"50.00\",\"left\":\"50.00\"},\n\t\t\t\t\"background\" : true,\n\t\t\t\t\"scale\" : 2\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:59.9%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69d608e2e60da\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"sr-only\" ref=\"body\" id=\"desc_media_69d608e2e60da\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Stiftung Humboldt Forum im Berliner Schloss \/ Collage: Stiftung Humboldt Forum im Berliner Schloss \/ Giuliani | von Giese; 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