{"id":109860,"date":"2023-11-24T11:18:54","date_gmt":"2023-11-24T10:18:54","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event-digital&#038;p=109860"},"modified":"2024-01-18T17:14:52","modified_gmt":"2024-01-18T16:14:52","slug":"feminisms-in-the-museum","status":"publish","type":"event-digital","link":"https:\/\/www.humboldtforum.org\/en\/programm\/digitales-angebot\/digital-en\/feminisms-in-the-museum-109860\/","title":{"rendered":"Feminisms in the Museum"},"content":{"rendered":"<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>The five-part podcast series\u00a0<em>Feminisms in the Museum<\/em>\u00a0explores different currents and schools of feminist thought, and aims to expand feminist perspectives on museum activities and experiences.<\/p>\n<p>Throughout the series<em>,\u00a0<\/em>host Jena Samura is joined by various artists, scholars and museum professionals who take a look at what feminism means to them and how feminist activism and thought shape the way they think about, and work with, museums.<\/p>\n<p>From the museum entrance to its archives, from the programming of community projects to the stewarding of colonial collections, we ask: What would a feminist museum look like? How would it feel? How would it be designed and organized in its space and its structures? And what would its purpose be?<\/p>\n<p>Our speakers are:\u00a0<strong>Fran\u00e7oise Verg\u00e8s, Celia Herrera Rodr\u00edguez, Emelie Chhangur, Poulomi Basu <\/strong>and <strong>Va-Bene Fiatsi<\/strong>.<\/p>\n<p>Due to feminism being, of course, a very wide topic, this series does not aim to be comprehensive \u2014 we will not cover feminism in all its different waves, interpretations, goals, strategies, and affiliations. Instead,<em>\u00a0Feminisms in the Museum<\/em> aspires to share a variety of voices and perspectives that can broaden understanding of feminist thought, sharpen critical approaches to museum practice and inspire new models of knowledge sharing, storytelling, welcome and care.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/1K6yZ5zGskqMtcZjtFTP3n?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Decolonial Feminism and Moving Beyond the Object <\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>with Fran\u00e7oise Verg\u00e8s<\/strong><\/p>\n<p>For the opening of this series, we are joined by Fran\u00e7oise Verg\u00e8s, political scientist, writer, activist, and curator, who introduces us to decolonial feminism. Drawing on Fran\u00e7oise\u2019s powerful manifesto \u201c<em>A Decolonial Feminism<\/em>\u201d, we explore how this framework can help us examine \u201cwhite\u201d or \u201ccivilizing\u201d feminism\u2019s blind spots, and complicity in enslavement, colonisation and racial capitalism. We discuss the importance of \u2013 and possible limitations to \u2013 an intersectional analysis of oppression and consider the perspectives that might be revealed by a multidimensional approach. Furthermore, by asking who cleans the world around us, Fran\u00e7oise encourages us to reflect on cleaning as essential labour to the functioning of the state, public institutions and infrastructure, and to consider the invisibility of those who do cleaning work \u2013 the majority marginalised and racialised women. Finally, we hear about Fran\u00e7oise\u2019s own experience developing a \u201cpost museum\u201d on R\u00e9union island and discuss how decolonial feminism might reshape museum design and practice, encouraging us to move beyond objects, facilitate access to collections, think beyond big institutions in capital cities and ensure that different bodies and different ways of being all feel welcome in this public space.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/3mltcmh4LJ350WiRz4glR9?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotes\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bc9e0e8\" id=\"acc_title_69f237bc9e0ea\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bc9e0e8\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<ul>\n<li><strong>Fran\u00e7oise Verg\u00e8s,\u00a0<em>A Decolonial Feminism\u00a0<\/em>(2021):<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.plutobooks.com\/9780745341125\/a-decolonial-feminism\/\" rel=\"nofollow\">https:\/\/www.plutobooks.com\/9780745341125\/a-decolonial-feminism\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>2018 Strike by cleaning workers at Gare du Nord, Paris, France:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/themilitant.com\/2018\/05\/06\/france-rail-workers-strike-against-government-attacks\/\" rel=\"nofollow\">https:\/\/themilitant.com\/2018\/05\/06\/france-rail-workers-strike-against-government-attacks\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li class=\"h1 text-primary\"><strong>Maison des civilisations et de l&#8217;unit\u00e9 reunionnaise:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.reunionnaisdumonde.com\/magazine\/articles-membres\/maison-des-civilisations-et-de-l-unite-reunionnaise-le-point-sur-le-projet\/\" rel=\"nofollow\">https:\/\/www.reunionnaisdumonde.com\/magazine\/articles-membres\/maison-des-civilisations-et-de-l-unite-reunionnaise-le-point-sur-le-projet\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Intersectionality:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.ywboston.org\/2017\/03\/what-is-intersectionality-and-what-does-it-have-to-do-with-me\/\" rel=\"nofollow\">https:\/\/www.ywboston.org\/2017\/03\/what-is-intersectionality-and-what-does-it-have-to-do-with-me\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Jennifer Nash,\u00a0<em>Black Feminism Reimagined\u00a0<\/em>(2019):<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.dukeupress.edu\/black-feminism-reimagined\" rel=\"nofollow\">https:\/\/www.dukeupress.edu\/black-feminism-reimagined<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Darren Lerrard Hutchinson,\u00a0<em>Identity Crisis: &#8220;Intersectionality,&#8221; &#8220;Multidimensionality,&#8221; and the Development of an Adequate Theory of Subordination\u00a0<\/em>(2001):<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/repository.law.umich.edu\/mjrl\/vol6\/iss2\/4\/\" rel=\"nofollow\">https:\/\/repository.law.umich.edu\/mjrl\/vol6\/iss2\/4\/<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Chicana Integrity and Coming to Consciousness <\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>with Celia Herrera Rodr\u00edguez<\/strong><\/p>\n<p>Together with artist and educator Celia Herrera Rodr\u00edguez, we dive into Chicana feminism. As Celia recalls her upbringing between Mexico and the United States, we explore how the Chicana feminist movement first emerged in the 1960s and how it encourages the unlearning of colonial and patriarchal constructions of, and restrictions on, women. Celia also tells us how the Chicana movement helped her in finding her voice and shaping her feminism. Besides, we learn about central aspects of Chicana feminism, including in-betweenness, cultural hybridity, ambiguity and resilience. We discuss the movement\u2019s relationship to images and image-making, including the symbolism and reimagination of Mexican female figures and icons like La Llorona or La Virgen de Guadalupe. Celia shares how her own artistic practice incorporates Chicana themes and reflects on key figures and influences in the movement, such as Gloria Anzald\u00faa. Lastly, we hear about the ways in which Chicana feminist art has begun to occupy public and museum spaces and the necessity of transforming these spaces to accommodate Chicana time, materials and self-determination.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/2HUo562HgEOBEi0nkd4Cp5?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotes\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bc9f84c\" id=\"acc_title_69f237bc9f84e\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bc9f84c\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<ul>\n<li><strong>Protest Performance \u201cLlanto Colectivo&#8221;:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/laprensa.org\/performers-protest-family-separations-collective-outcry\" rel=\"nofollow\">https:\/\/laprensa.org\/performers-protest-family-separations-collective-outcry<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Installation \u201cOfrenda a Gloria Anzald\u00faa\u201d by Celia Herra Rodr\u00edguez:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/celiahrodriguez.com\/envira\/night-sun-from-ofrenda-a-gloriaanzaldua-2009\/\" rel=\"nofollow\">https:\/\/celiahrodriguez.com\/envira\/night-sun-from-ofrenda-a-gloriaanzaldua-2009\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>The Chicano Movement:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.history.com\/news\/chicano-movement\" rel=\"nofollow\">https:\/\/www.history.com\/news\/chicano-movement<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Centro de Acci\u00f3n Social Aut\u00f3nomo:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/theclio.com\/entry\/81861\" rel=\"nofollow\">https:\/\/theclio.com\/entry\/81861<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Xicanisma:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.latinpost.com\/articles\/3650\/20131110\/xicanisma-chicana-feminist-movement.htm\" rel=\"nofollow\">https:\/\/www.latinpost.com\/articles\/3650\/20131110\/xicanisma-chicana-feminist-movement.htm<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Gloria Anzald\u00faa:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.oxfordbibliographies.com\/display\/document\/obo-9780199827251\/obo-9780199827251-0078.xml\" rel=\"nofollow\">https:\/\/www.oxfordbibliographies.com\/display\/document\/obo-9780199827251\/obo-9780199827251-0078.xml<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Gloria Anzald\u00faa, <em>Borderlands\/La Frontera: The New Mestiza<\/em> (1987)<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.auntlute.com\/borderlands-la-frontera-5th-ed\" rel=\"nofollow\">https:\/\/www.auntlute.com\/borderlands-la-frontera-5th-ed<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Cherrie Moraga &amp; Gloria Anzald\u00faa (Hrsg.), <em>This Bridge Called My Back &#8211; Writings by Radical Women of Colour\u00a0<\/em>(1981)<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/sunypress.edu\/Books\/T\/This-Bridge-Called-My-Back-Fourth-Edition\" rel=\"nofollow\">https:\/\/sunypress.edu\/Books\/T\/This-Bridge-Called-My-Back-Fourth-Edition<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>La Virgen de Guadalupe:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.terraamericanart.org\/wp-content\/uploads\/2015\/09\/MySymbolsMyIdentity_VirgenHandout.pdf\" rel=\"nofollow\">https:\/\/www.terraamericanart.org\/wp-content\/uploads\/2015\/09\/MySymbolsMyIdentity_VirgenHandout.pdf<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>La Malinche:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/wams.nyhistory.org\/early-encounters\/spanish-colonies\/malitzen\/\" rel=\"nofollow\">https:\/\/wams.nyhistory.org\/early-encounters\/spanish-colonies\/malitzen\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>La Llorona:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.latimes.com\/delos\/story\/2023-10-16\/la-llorona-mexico-latin-america-horror-folklore\" rel=\"nofollow\">https:\/\/www.latimes.com\/delos\/story\/2023-10-16\/la-llorona-mexico-latin-america-horror-folklore<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Mar\u00eda Magdalena Campos-Pons:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.brooklynmuseum.org\/eascfa\/about\/feminist_art_base\/maria-magdalena-campos-pons\" rel=\"nofollow\">https:\/\/www.brooklynmuseum.org\/eascfa\/about\/feminist_art_base\/maria-magdalena-campos-pons<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Ohlone Land:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/cejce.berkeley.edu\/ohloneland\" rel=\"nofollow\">https:\/\/cejce.berkeley.edu\/ohloneland<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Maria Esther Fern\u00e1ndez:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.artnews.com\/art-in-america\/interviews\/maria-esther-fernandez-cheech-marin-center-for-chicano-art-culture-interview-1234618920\/\" rel=\"nofollow\">https:\/\/www.artnews.com\/art-in-america\/interviews\/maria-esther-fernandez-cheech-marin-center-for-chicano-art-culture-interview-1234618920\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Gilda Posada:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/arthistory.cornell.edu\/gilda-posada\" rel=\"nofollow\">https:\/\/arthistory.cornell.edu\/gilda-posada<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Creating a \u201cYes\u201d Institution<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>with Emelie Chhangur<\/strong><\/p>\n<p>In this episode, we welcome Emelie Chhangur, director and curator of the Agnes Etherington Art Centre at Queen\u2019s University in Kingston, Canada. We learn how Emelie approaches the museum\u2019s dual mandate as a public institution and pedagogical resource and how she has developed her experimental and participatory curatorial practice, including several feminist and decolonising initiatives. We explore in particular her concept of \u201cin-reach\u201d, which aims to transform institutions from within and to mobilise new kinds of relationships with surrounding communities. We also discuss Emelie\u2019s development of a major expansion and renovation project at the Agnes and consider how new museum architectures can allow new stories, care practices and social imaginaries to emerge. Finally, as we reflect on the important distinction between access and trust, we ask how the museum can ensure space for Indigenous self-determination and become a home for entities, practices and temporalities that are, from Indigenous worldview, alive and breathing.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/12JLI1RIuFn6pq3dDiJsO7?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotes\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca0da0\" id=\"acc_title_69f237bca0da2\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca0da0\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<ul>\n<li><strong>Agnes Etherington Art Centre:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/agnes.queensu.ca\/\" rel=\"nofollow\">https:\/\/agnes.queensu.ca\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Agnes Etherington:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/agnes.queensu.ca\/connect\/about-agnes\/\" rel=\"nofollow\">https:\/\/agnes.queensu.ca\/connect\/about-agnes\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Mississaugas of the Credit\u00a0<span class=\"w-term-highlight\">First Nation<\/span>:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/mncfn.ca\/\" rel=\"nofollow\">https:\/\/mncfn.ca\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Art Gallery of York University:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/agyu.art\/\" rel=\"nofollow\">https:\/\/agyu.art\/<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Ecofeminism and Embodied Art Practice<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>with Poulomi Basu<\/strong><\/p>\n<p>In this episode, our guest is Poulomi Basu, a Kolkata-born and London-based artist who works at the intersection of art, activism, and technology \u2013 often inspired by ecofeminism. Together, we look at the interconnectedness of racial, gender and ecological issues experienced by women in the Global South and ask how women might embrace and transcend traditional gender roles in advocating for the planet. We explore the radical potential of care in forging solidarity and resistance and reflect on the importance of coalition building beyond the single artist or institution. Finally, we consider new ways of storytelling, such as virtual reality, and discuss how these immersive, embodied experiences can help to urge social, environmental and political change.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/016FmxMwZfi92ZFj4V2LqK?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotes\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca22df\" id=\"acc_title_69f237bca22e1\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca22df\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<ul>\n<li><strong>&#8220;Fireflies&#8221; by Poulomi Basu:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2022\/may\/25\/ready-to-face-my-trauma-poulomi-basus-fireflies-in-pictures\" rel=\"nofollow\">https:\/\/www.theguardian.com\/artanddesign\/gallery\/2022\/may\/25\/ready-to-face-my-trauma-poulomi-basus-fireflies-in-pictures<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>\u201cBlood Speaks\u201d by Poulomi Basu:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.blood-speaks.org\/immersive\" rel=\"nofollow\">https:\/\/www.blood-speaks.org\/immersive<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>\u201cMaya\u201d by Poulomi Basu:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/tribecafilm.com\/films\/maya-the-birth-chapter-1-2023\" rel=\"nofollow\">https:\/\/tribecafilm.com\/films\/maya-the-birth-chapter-1-2023<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>The Guardian &#8211; \u201cFireflies\/Maya\u201d Review:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/amp.theguardian.com\/artanddesign\/2023\/oct\/02\/poulomi-basu-fireflies-survivors-male-violence\" rel=\"nofollow\">https:\/\/amp.theguardian.com\/artanddesign\/2023\/oct\/02\/poulomi-basu-fireflies-survivors-male-violence<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Oil Crisis in Nigeria:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.theguardian.com\/environment\/ng-interactive\/2022\/jun\/01\/oil-pollution-spill-nigeria-shell-lawsuit\" rel=\"nofollow\">https:\/\/www.theguardian.com\/environment\/ng-interactive\/2022\/jun\/01\/oil-pollution-spill-nigeria-shell-lawsuit<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Land Grabbing in the Philippines:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/spheresofinfluence.ca\/the-struggle-over-territorial-sovereignty-land-grabbing-in-the-philippines\/\" rel=\"nofollow\">https:\/\/spheresofinfluence.ca\/the-struggle-over-territorial-sovereignty-land-grabbing-in-the-philippines\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Kundalini:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/yogainternational.com\/article\/view\/what-is-kundalini\/\" rel=\"nofollow\">https:\/\/yogainternational.com\/article\/view\/what-is-kundalini\/<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h3\">Queer Feminist Journeys<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><strong>with Va-Bene Fiatsi<\/strong><\/p>\n<p>For this episode, we are joined by Va-Bene Fiatsi, curator, mentor, artistic director, and self-described \u201cartivist\u201d based in Kumasi, Ghana. Also known as crazinisT artisT, Va-Bene tells us about her artistic investigation of gender stereotypes, identity politics and anti-black as well as anti-queer violence, and how she uses performance and installation to bring these themes into public institutions and spaces. We hear how Va-Bene\u2019s experiences as a trans woman inform her practice and learn how she foregrounds her own body in her work to push institutional boundaries and confront prejudice and marginalization, while exploring her own vulnerability and emotions. With a portfolio of performances around the globe, Va-Bene discusses how she navigates different contexts and histories, and also comments on what it is like to work in a climate of intensifying LGBTQ+ violence and discrimination in Ghana, with an anti-LGBTQ+ bill currently making its way through Ghanaian parliament.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-html\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/6x94KPCef9rk6tZ5uCFEdI?utm_source=generator\" width=\"100%\" height=\"152\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Show Notes\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ShowNotes\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca36fa\" id=\"acc_title_69f237bca36fc\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Show Notes<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca36fa\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<ul>\n<li><strong>Support Campaign \u201cSAVE pIAR\u201d:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/gofund.me\/22ad7b9f\" rel=\"nofollow\">https:\/\/gofund.me\/22ad7b9f<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>pIAR:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.crazinistartist.com\/piar-artist-in-residency\/\" rel=\"nofollow\">https:\/\/www.crazinistartist.com\/piar-artist-in-residency\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>\u201cThe Dust In My Bed\u201d Performance by Va-Bene Elikem Fiatsi (crazinisT artisT) at Dampfzentrale Bern:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.dampfzentrale.ch\/en\/event\/e-va-bene-elikem-fiatsi-the-dust-in-bed-tanz-in-bern-2023-okt-2023\/\" rel=\"nofollow\">https:\/\/www.dampfzentrale.ch\/en\/event\/e-va-bene-elikem-fiatsi-the-dust-in-bed-tanz-in-bern-2023-okt-2023\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>\u201cPromotion of Proper Human Sexual Rights and Ghanaian Family Values Bill\u201d:<\/strong><\/li>\n<\/ul>\n<p><a class=\"external-link\" href=\"https:\/\/www.hrw.org\/news\/2021\/08\/10\/homophobic-ghanaian-family-values-bill-odious-and-beggars-belief\" rel=\"nofollow\">https:\/\/www.hrw.org\/news\/2021\/08\/10\/homophobic-ghanaian-family-values-bill-odious-and-beggars-belief<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">Contributors<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Eliza Apperly\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ElizaApperly\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca4bb9\" id=\"acc_title_69f237bca4bbb\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Eliza Apperly<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca4bb9\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Eliza Apperly (she\/her) is a writer and producer based in Berlin, whose work explores gender, culture, and the role of cultural institutions in an age of political polarization and in face of right-wing extremism. She is the host of the Thames &amp; Hudson podcast on the arts, and writes, develops, and produces podcasts and radio for organizations including the Barbican Centre, Global Public Policy Institute, BBC, and <em>Psyche<\/em>. Her reporting and commentary has been published in\u00a0<em>The Guardian<\/em>,\u00a0<em>The Atlantic<\/em>,\u00a0<em>Aeon,<\/em>\u00a0and by Reuters, Thames &amp; Hudson, and the BBC. Eliza co-launched the Germany programme of Intelligence Squared, a forum for public discussion, and regularly produces and moderates live events, including workshops, seminars, and panels with Art + Feminism, University of Bristol, University of Cambridge, Bard College Berlin, Max Planck Society and the International Literature Festival Berlin.<\/p>\n<p><strong>Website:<\/strong> <a href=\"https:\/\/elizaapperly.com\">https:\/\/elizaapperly.com<\/a><\/p>\n<p>&nbsp;<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Jena Samura\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"JenaSamura\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca4e6e\" id=\"acc_title_69f237bca4e6f\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Jena Samura<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca4e6e\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Jena Samura (she\/none) is a political educator, moderator and author. Her work focuses, among other topics, on Black feminism, colonial constructions of gender as well as the effects of racism on mental health.<\/p>\n<p><strong>Website:<\/strong>\u00a0<a class=\"external-link\" href=\"https:\/\/jenasamura.de\/\" rel=\"nofollow\">https:\/\/jenasamura.de<\/a><\/p>\n<p><strong>Social Media:<\/strong>\u00a0@jenasamura<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Fran\u00e7oise Verg\u00e8s\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"FranoiseVergs\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca510d\" id=\"acc_title_69f237bca510e\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Fran\u00e7oise Verg\u00e8s<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca510d\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Fran\u00e7oise Verg\u00e8s (La R\u00e9union-France), currently based in Paris, is a writer, activist, independant curator, and Senior Fellow Researcher at the Sarah Parker Centre for the Study of Racism and Racialization UCL, London. She writes in French and English on topics related to dispossession, extraction, exploitation and erasure such as the European regime of slavery and colonialism, imperialism, racial capitalocene, wasteocene, decolonial feminism and the impossible decolonization of Western &#8220;universal&#8221; museums and the strategies of resistance and of struggle. Last publication (forthcoming in English): <em>Programme de d\u00e9sordre absolu. D\u00e9coloniser le mus\u00e9e\u00a0<\/em>(la fabrique, 2023).<\/p>\n<p><strong>Instagram:<\/strong>\u00a0<a href=\"https:\/\/www.instagram.com\/francoise_verges_decoloniale\/\">Francoise_verges_decoloniale<\/a><\/p>\n<p><strong>X (Twitter):<\/strong>\u00a0<a href=\"https:\/\/twitter.com\/phamthikang?lang=de\">@phamthikang<\/a><\/p>\n<p><strong>Facebook:<\/strong>\u00a0Fran\u00e7oise Verg\u00e8s<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Emelie Chhangur\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"EmelieChhangur\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca538e\" id=\"acc_title_69f237bca538f\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Emelie Chhangur<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca538e\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Emelie Chhangur is an influential voice for experimental curatorial practice in Canada. An artist, writer, and curator for over two-decades, she is celebrated for her process-based, participatory curatorial practice, the commissioning of complex works across all media and the creation of long-term collaborative projects performatively staged within and outside gallery contexts. She has published over 25 books.<\/p>\n<p>Chhangur is currently director\/curator of Agnes Etherington Art Centre, where she fights for a community-engaged architectural design process to reimagine new museum architectures that ensure cultural spaces of Canada\u2019s future no longer look like those of Canada\u2019s colonial past. This work follows a significant curatorial career at AGYU, leading the gallery\u2019s reorientation as a civic, community-facing space driven by intersectional collaboration, founding the artist residency program, and receiving 25 Ontario Association of Art Galleries (OAAG) Award.<\/p>\n<p>Dedicated to questioning the social and civic role of the public institutions of art, Chhangur has developed a curatorially engaged approach to working across cultural, aesthetic, and social differences through a practice she calls &#8220;in-reach&#8221;. In 2019, she won OAAG\u2019s inaugural BIPOC Changemaker Award and in 2020, the Hnatyshyn Foundation Award for Curatorial Excellence.<\/p>\n<p><strong>Instagram<\/strong>: <a href=\"https:\/\/www.instagram.com\/emeliechhangur\/?hl=de\">@emeliechhangur<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Celia Herrera Rodr\u00edguez\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"CeliaHerreraRodrguez\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca55e4\" id=\"acc_title_69f237bca55e5\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Celia Herrera Rodr\u00edguez<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca55e4\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Celia Herrera Rodr\u00edguez (Xicana\/O\u2019dami), born in Sacramento, CA, is a two-spirit visual artist and educator whose practice reflects a multi-generational dialogue and engagement with Xicanx, Indigenous Mexican and North American art, thought, spirituality, culture and politics.\u00a0 She is co-founder and co-director of\u00a0Las Maestras Center for Xicana Indigenous Thought and Art and Social Practice\u00a0and is a Teaching Professor of Xicana Art Praxis in the Department of Chicana and Chicano Studies at the University of California at Santa Barbara since 2017.<\/p>\n<p>Current exhibitions include: installation ephemera from \u201cAlt\u00e1r a las tres hermanas\u201d for the exhibition\u00a0<em>Xican-a.o.x Body<\/em>, curated by Cecilia Fajardo-Hill, Gilbert Vicario and Marissa Del Toro, at the Cheech Marin Center for Chicano Art &amp; Culture of the Riverside Art Museum running from June 2023 to January 2024.\u00a0 Current projects include an installation: \u201cDespu\u00e9s de Posada la resistencia continua\u201d for the exhibition\u00a0<em>Calli Americas<\/em>, curated by Gilda Posada, opening at the Oakland Museum of California Art in April of 2024; and\u00a0<em>Teo(tl)ria Xicana<\/em>, an interdisciplinary multigenerational collaboration in community. This solo exhibition curated by Maria Ester Fernandez is scheduled to open at the Cheech Marin Center for Chicano Art &amp; Culture of the Riverside Art Museum in February of 2026.<\/p>\n<p><strong>Website:\u00a0<\/strong><a class=\"external-link\" href=\"https:\/\/celiahrodriguez.com\/\" rel=\"nofollow\">https:\/\/celiahrodriguez.com<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Poulomi Basu\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"PoulomiBasu\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca582f\" id=\"acc_title_69f237bca5830\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Poulomi Basu<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca582f\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Poulomi Basu is a neurodiverse artist known for her exploration of the interrelationship between systems of power and bodies through work that exists at the limits of art, film, technology and activism. Basu\u2019s works are in major public collections such as Victoria &amp; Albert Museum (UK), MoMA Library &#8211; Special Collections (USA), Harvard Art Museums (USA), Autograph ABP (UK) and more.<\/p>\n<p><strong>Website:<\/strong> <a href=\"https:\/\/www.poulomibasu.com\/\">https:\/\/poulomibasu.com<\/a><\/p>\n<p><strong>Instagram:\u00a0<\/strong><a href=\"https:\/\/www.instagram.com\/poulomi07\/\">@poulomi07<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Va-Bene Fiatsi\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"Va-BeneFiatsi\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f237bca5aea\" id=\"acc_title_69f237bca5aeb\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Va-Bene Fiatsi<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f237bca5aea\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Born 1981 in Ho, Ghana, Va-Bene Elikem Fiatsi [aka crazinisT artisT] is a trans woman with the pronoun sHit if not She. Va-Bene currently lives in Kumasi, Ghana but works internationally as a multidisciplinary \u201cartivist\u201d, curator, philanthropist and a mentor across several countries. She is the founder and artistic director of crazinisT artisT studiO (TTO), Our Railway Cinema Gallery (ORCG) and perfocraZe International Artists Residency (pIAR) which aimed at radicalising the arts and promoting exchange between international and local artists, activists, researchers, curators, and critical thinkers. As a performer and installation artist, crazinisT investigates gender stereotypes, prejudices, queerness, identity politics and conflicts, sexual stigma and their consequences for marginalised groups or individuals. With rituals and a gender-fluid persona, She employs her own body as a thought-provoking tool in performances, photography, video, and installations, &#8220;life-and-live-art&#8221; confronting issues such as disenfranchisement, injustice, violence, objectification, internalised oppression, anti blackness, systemic indoctrination and many more.<\/p>\n<p>crazinisT has performed and exhibited across the globe including countries such as Nigeria, Togo, Ghana, Switzerland, South Africa, Germany, Netherlands, Cape Verde, USA, Spain, Brazil, France, Sweden, Hungary, Belgium, Luxembourg, Japan and UK.<\/p>\n<p>sHit has also been featured in several, publications and magazines such as the I-D Vice London, I-D Vice Dutch, Financial times, King Kong Magazine, CCQ London, Maimi Rails, &#8220;Freeflowingvisuals&#8221;, TRT WORD Film Documentary, This is Africa, Art Ghana, Lost At E Minor, CNN, The Frankfurter Allgemeine Zeitung, Die Tageszeitung (TAZ), Horizonte da Cena, Radio FRO, Reuters, Hyperallergic etc<\/p>\n<p><strong>Website:\u00a0<\/strong><a class=\"external-link\" href=\"https:\/\/www.crazinistartist.com\/\" rel=\"nofollow\">https:\/\/www.crazinistartist.com<\/a><\/p>\n<p><strong>Instagram<\/strong>: <a href=\"https:\/\/www.instagram.com\/crazinist_artist\/?hl=om-et\">@crazinist_artist<\/a><\/p>\n<p><strong>Twitter<\/strong>: <a href=\"https:\/\/twitter.com\/crazinisTartisT\">@crazinisTartisT<\/a><\/p>\n<p><strong>Facebook<\/strong>:\u00a0<a class=\"external-link\" href=\"https:\/\/web.facebook.com\/vabenef?_rdc=1&amp;_rdr\" rel=\"nofollow\">https:\/\/web.facebook.com\/vabenef?_rdc=1&amp;_rdr<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><em>Feminisms in the Museum<\/em>\u00a0is written and produced by <strong>Eliza Apperly<\/strong> and <strong>Alondra Meier<\/strong>. Sound design and editing by <strong>Benjamin Nash, Nora Mihle, Annelien Van Heymbeeck<\/strong> and <strong>Andreas K\u00f6nig<\/strong>. Artwork by <strong>Diana Ejaita<\/strong>. Project curation by <strong>Michael Dieminger<\/strong>. Project management by <strong>Selina McKay<\/strong>.<\/p>\n<p>This podcast is part of the Humboldt Forum\u2019s <em>99 Questions<\/em> programme, which emphasizes a plurality and exchange of knowledge, collective learning, and diversifying museum practices and experiences.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">Listen and follow on<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-nba\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-xs-12\">\n                <div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/open.spotify.com\/show\/2ifA301m2qWMMu8bFz3SFG\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">Spotify<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/99-questions-podcast\/id1575195856\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">Apple Podcasts<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/podcasts.google.com\/feed\/aHR0cHM6Ly9hbmNob3IuZm0vcy81YTkzNWFlNC9wb2RjYXN0L3Jzcw==\" class=\"nba-button\" role=\"button\" target=\"_blank\">\n\t\t\t\t\t\t\t\t\t<div class=\"subline\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"button-label\">Google Podcasts<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-teaser col-1 has-bg\" style=\"--teaser-bg:#f2f2f2\">\n\t<lazy-component :fixed-min-height=\"400\">\n\t\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t<div class=\"row bottom-xs\">\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2\">\n\t\t\t\t\t\t<h4>part of<\/h4>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2 start-xs end-md margin-bottom-sixth\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<ul class=\"row\">\n\t\t\t\n<li class=\"col-xs-12 teaser-wrapper col-padding-remove\">\n\t<calendarteaser key=\"201006771\" rawitem='{&quot;postId&quot;:20100,&quot;title&quot;:&quot;99 Questions&quot;,&quot;excerpt&quot;:&quot;&quot;,&quot;slug&quot;:&quot;99-questions&quot;,&quot;type&quot;:&quot;event-sequence&quot;,&quot;post_date&quot;:&quot;2020-10-23T16:09&quot;,&quot;permalink&quot;:&quot;https:\\\/\\\/www.humboldtforum.org\\\/en\\\/programm\\\/event-reihe\\\/discourse\\\/99-questions-20100\\\/&quot;,&quot;genre&quot;:[566,567],&quot;genre_details&quot;:[{&quot;text&quot;:&quot;Discourse&quot;,&quot;id&quot;:566,&quot;icon&quot;:null,&quot;parent&quot;:0},{&quot;text&quot;:&quot;Science and Humanities&quot;,&quot;id&quot;:567,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;topic&quot;:[783],&quot;topic_details&quot;:[{&quot;text&quot;:&quot;Colonialism and Coloniality&quot;,&quot;id&quot;:783,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;stakeholder&quot;:[595],&quot;stakeholder_details&quot;:[{&quot;text&quot;:&quot;Stiftung Humboldt Forum im Berliner 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19:00&quot;,&quot;from&quot;:1714057200,&quot;to&quot;:1714057200,&quot;to_DATE&quot;:&quot;20240425 19:00&quot;,&quot;from_HRFSHORT&quot;:&quot;25 Apr 2024&quot;,&quot;from_HRFSHORT_WD&quot;:&quot;Thu 25\\\/04\\\/2024&quot;,&quot;to_HRFSHORT&quot;:&quot;25 Apr 2024&quot;,&quot;to_HRFSHORT_WD&quot;:&quot;Thu 25\\\/04\\\/2024&quot;,&quot;from_HRF&quot;:&quot;Thu, 25 April 2024&quot;,&quot;to_HRF&quot;:&quot;Thu, 25 April 2024&quot;,&quot;from_to_HRF&quot;:&quot;Thu, 25 April \\u2013 Thu, 25 April 2024&quot;,&quot;from_to_HRFSHORT&quot;:&quot;25 Apr \\u2013 25 Apr 2024&quot;},&quot;alert&quot;:null,&quot;partof&quot;:[],&quot;marketing_topic&quot;:&quot;&quot;}' inline-template>\n\t<a href=\"https:\/\/www.humboldtforum.org\/en\/programm\/event-reihe\/discourse\/99-questions-20100\/\" class=\"teaser teaser-event-sequence teaser-event-standard\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-sm-6 col-md-5 col-sm-offset-1 col-md-offset-2 first-sm teaser-event-text Infos\">\n\t\t\t\t<div class=\"teaser-event-standard-text\">\n\t\t\t\t\t<div class=\"margin-bottom-atom\">\n\t\t\t\t\t\t<div class=\"subline clamp-1\" v-html=\"maingenre\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t<strong class=\"margin-bottom-atom h5\">99 Questions<\/strong>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"teaser-bottom border-bottom\">\n\t\t\t\t<calendardateline :rawitem='item' :show-icon=\"true\"><\/calendardateline>\n\t\t\t\t\t<hr>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"col-xs-12 col-sm-4 col-md-3 teaser-event-image bottom-xs first-xs\">\n\t\t\t\t<div class=\"teaser-image teaser-image-no-alternate\">\n\t\t\t\t\t\t\t\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69f237bcbdb08\" aria-labelledby=\"desc_media_69f237bcbdb08\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : 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: \"An exhibition space with an inclined square, in which the number \\u201c99\\u201d and two other photos are located in the center\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2020\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : {\"top\":\"50.00\",\"left\":\"50.00\"},\n\t\t\t\t\"background\" : true,\n\t\t\t\t\"scale\" : 2\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:59.9%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69f237bcbdb08\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"sr-only\" ref=\"body\" id=\"desc_media_69f237bcbdb08\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Stiftung Humboldt Forum im Berliner Schloss \/ Collage: Museum f\u00fcr Asiatische Kunst, Ethnologisches Museum \/ Staatliche Museen zu Berlin<\/div>\n\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/calendarteaser>\n<\/li>\n\n\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\t\t\t\t<\/lazy-component>\n<\/section>\n\n\n\n<section class=\"block block-CTA block-CTA-long leftgradient\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<a href=\"https:\/\/www.humboldtforum.org\/en\/newsletter-2\/\" aria-label=\"Stay up to date.\" class=\"teaser teaser-cta-wide \">\n\t\t\t\t\t\t<div class=\"teaser-image\">\n\t\t\t\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope 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: \"The brightly lit foyer and the Infopoint, DJ booth, the Cosmograph media tower and many visitors milling about\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2020\\\/04\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : \"70\",\n\t\t\t\t\"crop\" : {\"top\":\"90.17\",\"left\":\"40.27\"},\n\t\t\t\t\"background\" : true,\n\t\t\t\t\"scale\" : 2\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:66.6796875%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69f237bcbf6a9\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"sr-only\" ref=\"body\" id=\"desc_media_69f237bcbf6a9\">\n\t\t\t\t\t\t\t\t\t\t\t<div>In the Humboldt Forum&#039;s foyer there is a 17 meter high media tower, called &quot;cosmograph&quot;. It gives visitors comprehensive information about their visit and can transform into an art and light installation.<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 SHF \/ David von Becker<\/div>\n\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"teaser-content \">\n\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"teaser-header\"><span class=\"h3\">Stay up to date.<\/span><\/div>\n\t\t\t\t\t\t\t\t<div class=\"teaser-subline\"><span class=\"font-decoration\">Subscribe to our newsletter<\/span><\/div>\t\t\t\t\t\t\t\t<button tabindex=\"-1\" class=\"border\">Click here<\/button>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n","protected":false},"template":"","genre":[688,566],"digital":[874],"topic":[783],"stakeholder":[595],"editorial":[],"editorialfilter":[],"targetgroup":[585],"language":[580],"accessability":[],"school":[],"class_list":["post-109860","event-digital","type-event-digital","status-publish","has-post-thumbnail","hentry","genre-digital-en","genre-discourse","digital-podcast-en","topic-colonialism-and-coloniality","stakeholder-stiftung-humboldt-forum-im-berliner-schloss-en","targetgroup-adults","language-english"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event-digital\/109860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event-digital"}],"about":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/types\/event-digital"}],"version-history":[{"count":13,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event-digital\/109860\/revisions"}],"predecessor-version":[{"id":122446,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event-digital\/109860\/revisions\/122446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media\/109849"}],"wp:attachment":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media?parent=109860"}],"wp:term":[{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/genre?post=109860"},{"taxonomy":"digital","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/digital?post=109860"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/topic?post=109860"},{"taxonomy":"stakeholder","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/stakeholder?post=109860"},{"taxonomy":"editorial","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorial?post=109860"},{"taxonomy":"editorialfilter","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorialfilter?post=109860"},{"taxonomy":"targetgroup","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/targetgroup?post=109860"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/language?post=109860"},{"taxonomy":"accessability","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/accessability?post=109860"},{"taxonomy":"school","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/school?post=109860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}