{"id":144587,"date":"2025-03-21T11:19:19","date_gmt":"2025-03-21T10:19:19","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event-period&p=144587"},"modified":"2025-10-08T18:47:27","modified_gmt":"2025-10-08T16:47:27","slug":"takehito-koganezawa","status":"publish","type":"event-period","link":"https:\/\/www.humboldtforum.org\/en\/programm\/laufzeitangebot\/exhibition\/takehito-koganezawa-144587\/","title":{"rendered":"Takehito Koganezawa"},"content":{"rendered":"
\n
\n\t\t
\n
\n
\n

Takehito Koganezawa (b. 1974 Tokyo, Japan) is an artist who makes drawings, videos, installations and performances. His conceptual and experimental works, in which he brings various media into dialogue with one another, revolve around questions of the perception of time and space. They seek to make the flow of time tangible, to explore the void, to intentionally generate an absence of meaning, and open up new spaces for the imagination and aesthetic perception.\u00a0\u201cOne on Two, Two from One\u201d\u00a0shows new acquisitions from the Museum f\u00fcr Asiatische Kunst, supplemented by further works by the artist and loans.<\/p>\n

In his work\u00a0Double Sisters\/Divided Brothers<\/em>\u00a0(2022 \u2013 ), for example, abstract drawings are created where two pieces of paper overlap. A rotating video camera films this, while the focussed image areas are in constant motion, shifting, rotating and reconnecting. Another work entitled\u00a0Why We Build<\/em>\u00a0(2016) is an installation consisting of several sculptures made of unfired clay, which are made to rotate in the video installation of the same name. When sculpture often was perceived s as something static, perhaps monumental; here it is \u00a0set in motion.<\/p>\n<\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t\t <\/div>\n<\/section>\n\n

\n
\n\t\t
\n
\n
\n \t\t\n\t\tExhibition booklet (PDF)<\/span>\n\t<\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n\t
\n\t\t
\n\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t