{"id":108337,"date":"2023-11-13T17:12:38","date_gmt":"2023-11-13T16:12:38","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event&p=108337"},"modified":"2024-09-13T17:29:03","modified_gmt":"2024-09-13T15:29:03","slug":"musical-belongings-iv","status":"publish","type":"event","link":"https:\/\/www.humboldtforum.org\/en\/programm\/termin\/concert\/musical-belongings-iv-108337\/","title":{"rendered":"Musical Belongings IV"},"content":{"rendered":"
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In the MUSICAL BELONGINGS series, lautten compagney Berlin welcomes a legend of Punta Rock in September 2024: Pen Cayetano and his Turtle Shell Band, ambassadors of the Gar\u00edfuna culture from Belize. The ballad opera \u201cPolly\u201d by Johann Christoph Pepusch and John Gay was written in 1729 as a sequel to \u201cThe Beggar\u2019s Opera\u201d, which had been celebrated as a sensation in London in 1728. Due to political turmoil, however, it was not premiered until 1777. In this opera, a colourful 18th century London society is projected to the Caribbean, the so-called West Indies, whose name testifies to the ignorance of the European colonizers, who thought this Caribbean archipelago was part of India.<\/p>\n

This English ballad opera also features so-called \u201cIndian\u201d characters such as Pohetohee and Cawwawkee as well as various pirates who meet \u201cPolly Peachum\u201d. These exotic projections are contrasted with original music from the Caribbean, in particular the Punta, an Afro-indigenous rhythm and dance form practiced by the Garifuna people in St. Vincent, Honduras, Nicaragua, Guatemala and Belize.<\/p>\n<\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t\t\t\t\t

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The audience discussion dealerases with European projections onto the Caribbean and explores the musical traditions of the Gar\u00edfuna, who came to Honduras in 1797. Punta songs will be arranged for this programme for old European instruments and typical Punta percussion instruments (turtle shells, Gar\u00edfuna drums, maracas, chonch shells).<\/p>\n

The project MUSICAL BELONGINGS I-IV 2023\/24 is funded by the program “Excellent Orchestra Landscape Germany” of the Federal Government Commissioner for Culture and the Media (BKM).<\/em><\/p>\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tread more<\/span>\n\t\t\t\t\t\t\t\t\tread less<\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/read-mode>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t <\/div>\n<\/section>\n\n

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CONTRIBUTORS<\/h4>\n

Pen Cayetano<\/strong> – composition, guitars & vocals<\/p>\n

& members of the Garifuna Collective<\/p>\n

Desiree Diego<\/strong> – Vocals & Percussion<\/p>\n

Kenrick Luvlace Lewis<\/strong> – Turtle Shells & Vocals<\/p>\n

Denmark Flores<\/strong> – Garifuna Drums<\/p>\n

Ingrid Cayetano<\/strong> – Curator<\/p>\n

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Aminata Toscano<\/strong> – soprano<\/p>\n

Christoph Pfaller<\/strong> – tenor<\/p>\n

Georg Bochow<\/strong> – alto<\/p>\n

Raphael Riebesell<\/strong> – baritone<\/p>\n

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Wolfgang Katschner<\/strong> – Musical Direction<\/p>\n

Christian Filips<\/strong> – Music Dramaturgy<\/p>\n

 <\/p>\n

lautten compagney BERLIN<\/strong><\/h4>\n

Andreas Pfaff<\/strong> – violin 1<\/p>\n

Yumiko Tsubaki<\/strong> – violin 2<\/p>\n

Chang-Yun Yoo<\/strong> – viola<\/p>\n

Aleke Alpermann<\/strong> – cello<\/p>\n

Tillmann Steinh\u00f6fel<\/strong> – double bass<\/p>\n

Friederike Otto<\/strong> – zinc<\/p>\n

Martin Ripper<\/strong> – recorder<\/p>\n

Kohei Soda<\/strong> – oboe<\/p>\n

Inga Maria Klaucke<\/strong> – bassoon<\/p>\n

Daniel Trumbull<\/strong> – harpsichord+organ<\/p>\n

Peter Bauer<\/strong> – percussion<\/p>\n

Wolfgang Katschner<\/strong> – lute<\/p>\n

Hans-Werner Apel<\/strong> – lute<\/p>\n

Martin Steuber<\/strong> – lute+banjo<\/p>\n

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