{"id":33433,"date":"2021-10-05T08:46:47","date_gmt":"2021-10-05T06:46:47","guid":{"rendered":"https:\/\/www.humboldtforum.org\/programm\/termin\/other-en\/inventur-kolonialismus-und-ethnologie-im-pazifik-33433\/"},"modified":"2021-10-20T12:11:39","modified_gmt":"2021-10-20T10:11:39","slug":"inventory-colonialism-and-ethnology-in-the-pacific","status":"publish","type":"event","link":"https:\/\/www.humboldtforum.org\/en\/programm\/termin\/discourse\/inventory-colonialism-and-ethnology-in-the-pacific-33433\/","title":{"rendered":"Inventory \u2013 Colonialism and Ethnology in the Pacific"},"content":{"rendered":"<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><span class=\"anleser\" style=\"font-weight: bolder;\">Dealing with the colonial history of ethnological museums is being discussed worldwide. With the book &#8220;Das Prachtboot&#8221; by historian G\u00f6tz Aly, the Oceanic region is now also receiving the necessary public attention. <\/span><\/p>\n<p>The vast majority of objects from the former German colonies in the Pacific were collected between 1880 and 1914, in a situation of domination marked by violence. What does this mean for the Humboldt Forum? Where did the boundaries lie between robbery, dishonest acquisition and legitimate purchase? How can these stories be documented and presented today? How can such objects of art and utility, which were often torn out of their cultural and local contexts without further documentation, be presented in an understandable way? And last but not least: What do the people who live in the former colonies think about them today?<\/p>\n<p><strong>Moderation<\/strong><br \/>\nHadnet Tesfai<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">Panelists<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"G\u00f6tz Aly\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"GtzAly\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69de2a10c9f24\" id=\"acc_title_69de2a10c9f29\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">G\u00f6tz Aly<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69de2a10c9f24\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>is a historian and journalist. He has worked for the <em>taz<\/em>, the\u00a0<em>Berliner Zeitung<\/em>\u00a0and as a visiting professor. His books have been translated into many languages. In 2002 he received the Heinrich-Mann-Preis, in 2003 the Marion-Samuel-Preis, and in 2012 the Ludwig-B\u00f6rne-Preis. His books published by S. Fischer include 2011\u00a0<em>Why the Germans? Why the Jews? Envy, Race Hatred, and the Prehistory of the Holocaust<\/em>, and 2013\u00a0<em>Die Belasteten. \u203aEuthanasie\u2039 1939-1945. Eine Gesellschaftsgeschichte<\/em>. In February 2017, his major study on the European history of anti-Semitism and the Holocaust\u00a0<em>Europe Against the Jews, 1880-1945<\/em> was published, for which he received the Geschwister-Scholl-Preis in 2018.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Lars-Christian Koch\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"Lars-ChristianKoch\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69de2a10ca383\" id=\"acc_title_69de2a10ca386\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Lars-Christian Koch<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69de2a10ca383\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>is director of the Ethnologisches Museum and the Museum f\u00fcr Asiatische Kunst, as well as director of Collections at the Humboldt Forum Berlin. He is Professor for Ethnomusicology at the University of Cologne and Honorary Professor for Ethnomusicology at the University of the Arts in Berlin. He has conducted field work in India, as well as in South Korea. His research focuses on the theory and practise of North-Indian Raga-Music, organology with special focus on instrument manufacturing, Buddhist music, popular music and urban culture and historical recordings.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Birgit Scheps-Bretschneider\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"BirgitScheps-Bretschneider\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69de2a10ca6cf\" id=\"acc_title_69de2a10ca6d1\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Birgit Scheps-Bretschneider<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69de2a10ca6cf\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>has been Custodian for Australian\/Oceania at the GRASSI Museum f\u00fcr V\u00f6lkerkunde zu Leipzig\/Staatliche Ethnographische Sammlungen Sachsen (SES) since 1986. She has conducted fieldwork on \u201cOral History and Tradition\u201d with the Arrernte, Luritja, Tiwi and Yolngu people in Australia, as well as with the Ngapuhi in Aotearoa (New Zealand) and Samoa, and was a Visiting Fellow at the Australian National University. Birgit Scheps-Bretschneider is a member of various working groups on colonial contexts and works closely with representatives of indigenous communities \u2013 with regard to ethical issues of digitisation and online posting of sensitive objects and photographs from colonial contexts, to possibilities of indigenous participation and sensitivity as well as on repatriation, rehumanisation and material and immaterial restitution.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Martin Maden - live streamed\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"MartinMaden-livestreamed\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69de2a10caa95\" id=\"acc_title_69de2a10caa96\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Martin Maden &#8211; live streamed<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69de2a10caa95\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Born 1963, Martin Maden is film maker and writer in Rabaul, East New Britain Province, Papua New Guinea. As a freelance filmmaker and screenplay writer, he has worked as a director of photography, cameraman and sound engineer on numerous film productions, both locally and internationally. He is author and director of several successful films and has run film training workshops since 1986 in the Pacific, Europe and Brazil. Martin was Executive Director of the Environmental Law Centre, a Papua New Guinean Non-Government Organisation, from 2001 to 2004. During that time, working to support rural communities affected by industrial exploitation, he started to create and design what he calls &#8220;Forum Process Filmmaking&#8221; \u2013 a method of filmmaking suited to remote communities in Papua New Guinea that supports rural livelihoods by utilising &#8220;cinematic democracy&#8221; within a participatory and public responsibility forum. He has successfully applied some elements of this genre in his new film <em>Crater Mountain Story<\/em>. Key player in the making of <em>Tinpis Run<\/em>, the largest film production ever attempted in Papua New Guinea, with a permanent crew of 30 people and a cast of over 5,000 people.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Hadnet Tesfai\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"HadnetTesfai\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69de2a10cae78\" id=\"acc_title_69de2a10cae79\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Hadnet Tesfai<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69de2a10cae78\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Hadnet Tesfai is\u00a0<b>\u2013<\/b>\u00a0even if you can\u2019t tell by looking at her\u00a0<b>\u2013<\/b>\u00a0an old hand in the media scene. At the tender age of 20, she already gained her first experience in radio presentation and was a longtime presenter for Radio Fritz in Berlin. She was one of the faces of MTV and hosted programmes such as urban\u00a0<em>TRL<\/em>,\u00a0<em>brandneu<\/em>\u00a0and\u00a0<em>Beck\u2019s Most Wanted Music<\/em>\u00a0as well as specials like the red carpet for the\u00a0<em>MTV Europe Music Awards<\/em>.<\/p>\n<p>Hadnet Tesfai also works with public broadcasters. In March 2012, she joined the team of presenters at\u00a0<em>ZDFkultur<\/em>\u00a0and took over the daily pop culture magazine\u00a0<em>DER MARKER<\/em>\u00a0and presented at various music festivals as well as the music programme\u00a0<em>Delikatessen Charts<\/em>. She now continues to present festivals on 3sat. In 2020, together with her colleague Aminata Belli, she launched the much-acclaimed Instagram talk series\u00a0<em>Sitzplatzreservierung\u00a0<\/em>as a reaction to the\u00a0<em>Black Lives Matter<\/em>\u00a0movement and the way it was handled in the German media. You can also catch Hadnet Tesfai in the podcast world. On\u00a0<em>Tratsch &amp; Tacheles<\/em>, she and Tarik Tesfu discuss current gossip in pop culture and the media landscape. In\u00a0<em>Netflixwoche<\/em>\u00a0with J\u00f6rg Thadeusz, the two presenters examine the new releases on Netflix more closely. In addition, Hadnet Tesfai is part of the new weekly Youtube talk show about relationships,\u00a0<em>Five Souls<\/em>.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-teaser col-1 has-bg\" style=\"--teaser-bg:#f2f2f2\">\n\t<lazy-component :fixed-min-height=\"400\">\n\t\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t<div class=\"row bottom-xs\">\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2 start-xs end-md margin-bottom-sixth\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<ul class=\"row\">\n\t\t\t\n<li class=\"col-xs-12 teaser-wrapper col-padding-remove\">\n\t<calendarteaser key=\"3156818397\" rawitem='{&quot;postId&quot;:31568,&quot;title&quot;:&quot;Ethnologisches Museum and Museum f\\u00fcr Asiatische Kunst&quot;,&quot;excerpt&quot;:&quot;Newly curated, in the middle of Berlin: the exhibitions from the Ethnologisches Museum and the Museum f\\u00fcr Asiatische Kunst of the Staatliche Museen zu Berlin in the Humboldt Forum offer an eclectic view into the past and present cultures of Africa, America, Asia and Oceania.&quot;,&quot;slug&quot;:&quot;ethnologisches-museum-und-museum-fuer-asiatische-kunst&quot;,&quot;post_date&quot;:&quot;2021-09-07T11:24&quot;,&quot;type&quot;:&quot;event-permanent&quot;,&quot;permalink&quot;:&quot;https:\\\/\\\/www.humboldtforum.org\\\/en\\\/programm\\\/dauerangebot\\\/exhibition\\\/ethnologisches-museum-und-museum-fuer-asiatische-kunst-31568\\\/&quot;,&quot;genre&quot;:[552],&quot;genre_details&quot;:[{&quot;text&quot;:&quot;Exhibition&quot;,&quot;id&quot;:552,&quot;icon&quot;:null,&quot;parent&quot;:0}],&quot;stakeholder&quot;:[594],&quot;stakeholder_details&quot;:[{&quot;text&quot;:&quot;Staatliche Museen zu 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id=\"desc_media_69de2a10ef620\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Staatliche Museen zu Berlin, Museum f\u00fcr Asiatische Kunst; Stiftung Humboldt Forum im Berliner Schloss \/ digital reproduction: Jester Blank GbR<\/div>\n\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/calendarteaser>\n<\/li>\n\n\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\t\t\t\t<\/lazy-component>\n<\/section>\n\n\n\n<section class=\"block block-teaser col-lane33 \" style=\"\">\n\t\t\t\t\t\t<teaser-lane-with-buttons inline-template tracking-label=\"Practical Info\">\n\t\t\t\t<div>\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t<div class=\"row middle-xs\">\n\t\t\t\t\t\t\t<div class=\"col-xs-10 col-sm-8\">\n\t\t\t\t\t\t\t\t<h3 class=\"h4 topline\">Practical Info<\/h3>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-xs-2 col-sm-4 end-xs 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