{"id":55976,"date":"2022-10-05T15:20:27","date_gmt":"2022-10-05T13:20:27","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event&#038;p=55976"},"modified":"2022-10-24T12:35:04","modified_gmt":"2022-10-24T10:35:04","slug":"no-archive-can-restore-you","status":"publish","type":"event","link":"https:\/\/www.humboldtforum.org\/en\/programm\/termin\/film-video-en\/no-archive-can-restore-you-55976\/","title":{"rendered":"No Archive can Restore You"},"content":{"rendered":"<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>The filmmaker Onyeka Igwe has developed a language to work with the sensitive and often racist material of audio\/visual ethnographic documentation. By using auto-fictional elements, repetition and deformations, movement and rhythms, she raises questions how to approach the colonial past and how to engage with it critically and ethically whilst making multiple narratives visible.<\/p>\n<p>The three films\u00a0<em>Specialised Technique, the names have changed, including my own and truths have been altered<\/em>\u00a0and\u00a0<em>No Archive Can Restore You<\/em>\u00a0will be screened in front of the showcases presenting so called ethnographic objects. Onyeka Igwe shows a deep\u00a0engagement\u00a0and emphatic approaches in her editing techniques dealing with colonial archives, colonial violence and lost narratives. By using movement and\u00a0rhythms\u00a0the films contrast the static presentation of the objects and meld\u00a0together colonial histories\u00a0with\u00a0personal memories\u00a0to\u00a0continue\u00a0a forgotten\u00a0and sometimes impossible\u00a0dialogue.<\/p>\n<p><strong>Onyeka Igwe is present for an artist talk on Thursday, 27th October at 11.30 am in Modul 209: Benin: Past and Present.\u00a0<\/strong><\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">Specialised Technique<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-standard-image\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-10 col-md-6 col-xs-offset-1 col-md-offset-3\">\n\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69e08a5f7fcc1\" aria-labelledby=\"desc_media_69e08a5f7fcc1\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"Specialised-Technique-300x215.jpg\",\"width\":300,\"height\":215,\"mime-type\":\"image\\\/jpeg\",\"filesize\":10209},\"large\":{\"file\":\"Specialised-Technique-1024x733.jpg\",\"width\":1024,\"height\":733,\"mime-type\":\"image\\\/jpeg\",\"filesize\":53611},\"thumbnail\":{\"file\":\"Specialised-Technique-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":4780},\"medium_large\":{\"file\":\"Specialised-Technique-768x550.jpg\",\"width\":768,\"height\":550,\"mime-type\":\"image\\\/jpeg\",\"filesize\":35760},\"small\":{\"file\":\"Specialised-Technique-440x315.jpg\",\"width\":440,\"height\":315,\"mime-type\":\"image\\\/jpeg\",\"filesize\":16833},\"semi\":{\"file\":\"Specialised-Technique-580x415.jpg\",\"width\":580,\"height\":415,\"mime-type\":\"image\\\/jpeg\",\"filesize\":24661},\"mobile\":{\"file\":\"Specialised-Technique-720x516.jpg\",\"width\":720,\"height\":516,\"mime-type\":\"image\\\/jpeg\",\"filesize\":32880},\"hd\":{\"file\":\"Specialised-Technique-1280x917.jpg\",\"width\":1280,\"height\":917,\"mime-type\":\"image\\\/jpeg\",\"filesize\":75432},\"1536x1536\":{\"file\":\"Specialised-Technique-1536x1100.jpg\",\"width\":1536,\"height\":1100,\"mime-type\":\"image\\\/jpeg\",\"filesize\":98935},\"original\":{\"file\":\"Specialised-Technique.jpg\",\"width\":1779,\"height\":1274}},\n\t\t\t\t\"alt\" : \"Black and white photo of dancers showcasing dynamic expression, with a focus on one woman.\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:71.613265879708%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69e08a5f7fcc1\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"\" id=\"desc_media_69e08a5f7fcc1\">\n\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Specialised Technique <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Onyeka Igwe, 2019<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>William Sellers and the Colonial Film Unit developed a framework for colonial cinema, this included slow edits, no camera tricks and minimal camera movement. Hundreds of films were created in accordance to this rule set. In an effort to recuperate black dance from this colonial project, &#8220;Specialised Technique&#8221; attempts to transform this material from studied spectacle to livingness.<\/p>\n<p><em>2019 UK Duration 6mins | 57 seconds Black &amp; White, Sound: Stereo; Ratio: 4:3 Available Format: HD digital file, Original Format: HD Video<\/em><\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">the names have changed, including my own and truths have been altered<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-standard-image\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-10 col-md-6 col-xs-offset-1 col-md-offset-3\">\n\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69e08a5f816ea\" aria-labelledby=\"desc_media_69e08a5f816ea\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : 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: \"Person wearing a face mask holds both hands forward against a neutral background of cabinets.\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:56.25%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69e08a5f816ea\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"\" id=\"desc_media_69e08a5f816ea\">\n\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>the names have changed, including my own and truths have been altered <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Onyeka Igwe, 2019<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>This is a story of the artist\u2019s grandfather, the story of the \u2018land\u2019 and the story of an encounter with Nigeria\u2014retold at a single point in time, in a single place. The artist is trying to tell a truth in as many ways as possible. So &#8220;the names have changed&#8221; tell us the same story in four different ways: a folktale of two brothers rendered in the broad, unmodulated strokes of colonial British moving images; a Nollywood TV series, on VHS, based on the first published Igbo novel; a story of the family patriarch, passed down through generations; and the diary entries from the artist\u2019s first solo visit to her family\u2019s hometown.<\/p>\n<p><em>2019 UK Duration 25mins | 48 seconds Colour, Sound: Stereo, Ratio 16:9 Available Format: HD Digital file, Original Format: HD Video, 2k Video<\/em><\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">No Archive Can Restore You <\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-standard-image\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-10 col-md-6 col-xs-offset-1 col-md-offset-3\">\n\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69e08a5f833a8\" aria-labelledby=\"desc_media_69e08a5f833a8\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\",\"filesize\":10888},\"large\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-1024x576.jpg\",\"width\":1024,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":84691},\"thumbnail\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":5701},\"medium_large\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-768x432.jpg\",\"width\":768,\"height\":432,\"mime-type\":\"image\\\/jpeg\",\"filesize\":52463},\"small\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-440x248.jpg\",\"width\":440,\"height\":248,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20459},\"semi\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-580x326.jpg\",\"width\":580,\"height\":326,\"mime-type\":\"image\\\/jpeg\",\"filesize\":32766},\"mobile\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-720x405.jpg\",\"width\":720,\"height\":405,\"mime-type\":\"image\\\/jpeg\",\"filesize\":47217},\"hd\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-1280x720.jpg\",\"width\":1280,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":123042},\"1536x1536\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe-1536x864.jpg\",\"width\":1536,\"height\":864,\"mime-type\":\"image\\\/jpeg\",\"filesize\":164795},\"original\":{\"file\":\"No-Archive-Can-Restore-You-_Onyeka-Igwe.jpg\",\"width\":1920,\"height\":1080}},\n\t\t\t\t\"alt\" : \"A chaotic warehouse with stacked old metal rounds and a touch of dust and decay.\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:56.25%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69e08a5f833a8\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"\" id=\"desc_media_69e08a5f833a8\">\n\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>No Archive Can Restore You <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Onyeka Igwe, 2022<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>The former Nigerian Film Unit building was one of the first self-directed outposts of the British visual propaganda engine, the Colonial Film Unit, stands empty on Ikoyi Road, Lagos, in the shadow of today\u2019s Nigerian Film Corporation building. The rooms are full of dust, cobwebs, stopped clocks, and rusty and rotting celluloid film cans. Amongst these cans, a long-lost classic of Nigerian filmmaking, Shehu Umar (1976), was found in 2015. The films housed in this building are hard to see because of their condition, but also perhaps because people do not want to see them. They reveal a colonial residue that is echoed in walls of the building itself.<\/p>\n<p>Taking its title from the 2018 Juliette Singh book, No Archive Can Restore You depicts the spatial configuration of this colonial archive, which lies just out of view, in the heart of the Lagosian cityscape. Despite its invisibility, it contains purulent images that we cannot, will not, or choose not to see. The film imagines \u2018lost\u2019 films from the archive in distinctive soundscapes, juxtaposed with images of the abandoned interior and exteriors of the building. This is an exploration into the \u2018sonic shadows\u2019 that colonial moving images continue to generate.<\/p>\n<p><em>2022 UK Duration: 5 mins | 54 Seconds Colour, Sound: 5.1 surround Ratio: 16:9 Available Format\/s: HD Video: ProRes Digital File \/ DCP Original Format: 2K Video<\/em><\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h4\">The FIlmmaker<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Onyeka Igwe\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"OnyekaIgwe\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69e08a5f8b1a9\" id=\"acc_title_69e08a5f8b1ac\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Onyeka Igwe<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69e08a5f8b1a9\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Onyeka Igwe is an artist and researcher working between cinema and installation, born and based in London, UK. Through her work, Onyeka is animated by the question \u2014 \u00a0how do we live together? \u2014 with particular interest in the ways the sensorial, spatial and non-canonical ways of knowing can provide answers to this question. She uses embodiment, archives, narration and text to create structural \u2018figure-of-eights\u2019, a form that exposes a multiplicity of narratives. Her works have been shown in the UK and internationally at film festivals and galleries. She was awarded the New Cinema Award at Berwick Film and Media Arts Festival 2019, 2020 Arts Foundation Fellowship Award for Experimental Film, 2021 Foundwork Artist Prize and has been nominated for the 2022 Jarman Award.<\/p>\n<p><a class=\"external-link\" href=\"http:\/\/www.onyekaigwe.com\/\" rel=\"nofollow\">www.onyekaigwe.com<\/a><\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-teaser col-1 \" style=\"\">\n\t<lazy-component :fixed-min-height=\"400\">\n\t\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t<div class=\"row bottom-xs\">\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2\">\n\t\t\t\t\t\t<h4>Belongs to<\/h4>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"col-xs-12 col-sm-10 col-md-8 col-sm-offset-1 col-md-offset-2 start-xs end-md margin-bottom-sixth\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<ul class=\"row\">\n\t\t\t\n<li class=\"col-xs-12 teaser-wrapper col-padding-remove\">\n\t<calendarteaser key=\"201007706\" rawitem='{&quot;postId&quot;:20100,&quot;title&quot;:&quot;99 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: \"Abstract pattern in red and black tones with wavy lines and flowing textures.\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : \"https:\\\/\\\/www.humboldtforum.org\\\/wp-content\\\/uploads\\\/2020\\\/10\\\/99questions-gathering_1sec_AdobeExpress.mp4\",\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : 66,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : true,\n\t\t\t\t\"scale\" : 2\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:76.916666666667%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" 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