{"id":56537,"date":"2022-10-07T12:28:40","date_gmt":"2022-10-07T10:28:40","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event&#038;p=56537"},"modified":"2022-11-07T12:25:37","modified_gmt":"2022-11-07T11:25:37","slug":"migration-diaspora-africa-in-vr","status":"publish","type":"event","link":"https:\/\/www.humboldtforum.org\/en\/programm\/termin\/festival-en\/migration-diaspora-africa-in-vr-56537\/","title":{"rendered":"Migration &#038; Diaspora &#8211; Africa in VR"},"content":{"rendered":"<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>AFRIKAMERA 2022: Urban Africa, Urban Movies &#8211; Migration &amp; Diaspora is part of a four-year festival focus on contemporary urban cinema from Africa.<\/p>\n<p>Flight and migration are among the dominant themes of the present. European perspectives dominate the political and artistic discourse, while African perspectives are largely ignored.<\/p>\n<p>The question of &#8220;cultural identity&#8221;, the debate about the relationship between the &#8220;own&#8221; and the &#8220;foreign&#8221; is no longer dealt with only from the perspective of immigrants. It is being rebalanced, as it were, by those returning to the African continent from the diaspora or from the perspective of filmmakers living in both the global South and the global North. Many productions focus not only on migratory movements from Europe to Africa and back, but also on intra-African migratory movements.<\/p>\n<p>Accompanying the AFRIKAMERA programme, three 360\u00b0 productions will be presented that deal with themes of migration &amp; diaspora in very different artistic ways.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h2\">LE LAC <\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><em>by Nyasha Kadandara<\/em><\/p>\n<p>Kenya 2019, documentary, English OV, approx. 9 min.<\/p>\n<p>Located in the border region between Nigeria, Cameroon, Niger and Chad, Lake Chad is one of the world&#8217;s largest inland water bodies and also one of the most endangered biotopes on the African continent. On the one hand, the water level of the lake is constantly sinking due to climate change, on the other hand, the region is shaken by political unrest and the terror of the Islamist group, Boko Haram, 2.7 million people are fleeing around Lake Chad and live as internally displaced persons in UNHCR camps.<\/p>\n<p>The 360\u00b0 production LE LAC by Nigerian filmmaker Nyasha Kadandara provides insights into the everyday life of Mahamat, a once prosperous cattle farmer who had to leave his home for fear of the terror of Boko Haram, and Nassuri, an internally displaced person turned fisherman who lives with his family in one of the refugee camps. With disturbingly beautiful images, LE LAC sharpens our view of the vulnerability of people and nature.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Nyasha Kadandara\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"NyashaKadandara\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f33c1b42718\" id=\"acc_title_69f33c1b4271d\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Nyasha Kadandara<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f33c1b42718\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>She is an award-winning Pan-African director and filmmaker.\u00a0 She is a graduate of the Columbia Journalism School. Her first film, Through the Fire, about a drug addict facing the demons of his past, won the Audience Choice Award at the Atlanta Docufest in 2015. Her short documentary Queens &amp; Knights, about a queer and inclusive rugby team, won first prize at the 2016 NBC Sports Film Competition Cptr&#8217;d and premiered at South by SouthWest. In 2019, she wrote, filmed and produced Sex and the Sugar Daddy, a comprehensive multimedia reportage about transnational sexual relationships in Kenya, which was a finalist in the Popular Feature and Digital Media categories at the One World Media Awards. Her latest production, the investigative documentary Imported for my Body about cross-continental sex trafficking was shortlisted for the 2020 Amnesty Media Awards and selected for the Human Rights Watch Festival in Kenya. She is currently developing her first independent documentary, Matabeleland, and a narrative feature Come Sunrise, We Shall Rule.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h2\">AFROROUTES<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>Director: S\u00e9lim Harbi<br \/>\nProduction: INVR.SPACE GmbH<br \/>\nExecutive Producer: S\u00f6nke Kirchhof<br \/>\nPostproduction Supervisor: Jessica Zippel<br \/>\nPrototype Tunisia: Med Arbi Soualhia<br \/>\nWorld Premiere<br \/>\nGermany 2021, \/ Three 360\u00b0 videos, each approx. 15.min.<\/p>\n<p>From Salvador da Bahia (Brazil) to Gujarat (India) to Tangier (Morocco):\u00a0 Afroroutes moves in the footsteps of the three great slavery routes &#8211; the trans-Saharan, the trans-Atlantic and the trans-Pacific &#8211; asking questions about Afrodiasporic identity: what happened to the millions of displaced African men and women? Where do their descendants live today? Have their original cultures and languages disappeared? How did their heritage contribute to the building of their new countries?<\/p>\n<p>The project uses three different music and sound based rituals and ceremonies to make these questions tangible as lived cultural memories, as testimonies of cultural resilience and altered and transcendental heritage in 360\u00b0 videos: In ceremonies of Candombl\u00e9, an Afro-Brazilian religion from Bahia, the centre of Black culture in Brazil and a central axis for the development of Afro-Brazilian identity; in Dhamal- rituals of the African Sidi community practiced in the Gujarat region of northern India; and in rituals of the Gnawa, an ethnic minority in Morocco, with reference to sub-Saharan myths, colour codes and healing practices.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Selim Harbi\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"SelimHarbi\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f33c1b43fd2\" id=\"acc_title_69f33c1b43fd5\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Selim Harbi<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f33c1b43fd2\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>(*1982 in Tunis) is a multimedia author, director and producer. He studied audiovisual media at the Beuth University of Applied Sciences in Berlin and worked, among other things, as an assistant director for THE ENEMY, gained journalistic VR experience in West Africa and regularly gave workshops in media and storytelling. He was also a World Press Photo multimedia fellow focusing on current issues in the African diaspora. Harbi develops and produces mixed media concepts. He lives and works in Berlin.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-headline block-no-margin \" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t<h2 class=\".h2\">AZIMUTH<\/h2>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p><em>by Nirma Madhoo<\/em><\/p>\n<p>South Africa \/ Australia 2019, experimental film, English OV, 9 min.<\/p>\n<p>Azimuth is a 360\u00b0 experimental film that presents contemporary fashion in a 3D digital asset inspired by exposed concrete breakwater architecture at Durban Harbour, the architecture of the brutalist building complexes of the Durban University of Technology and the Ponte Tower in Hillbrow (Johannesburg). Azimuth celebrates concrete as an omnipresent material in three elemental states: liquid, solid and ethereal. Carried by a spherical Ambisonics sorround sound score, the fashion presentations simultaneously question and subvert stereotypical notions and attributions of African identities as the &#8220;ethnic other&#8221;.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"Nirma Madhoo\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"NirmaMadhoo\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69f33c1b45746\" id=\"acc_title_69f33c1b45749\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">Nirma Madhoo<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69f33c1b45746\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>is a fashion filmmaker and researcher based in Durban and Melbourne. She began her career as a fashion designer and then turned to contemporary fashion filmmaking. Her work juxtaposes videographic work with CGI, 3D printing, virtual reality and augmented reality techniques. Madhoo&#8217;s work is presented internationally at short film festivals, fashion film festivals and digital art festivals.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-CTA block-CTA-long leftgradient\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row center-xs\">\n\t\t\t<div class=\"col-xs-12\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<a href=\"https:\/\/www.humboldtforum.org\/en\/programm\/event-reihe\/festival-en\/afrikamera-2022-55518\/\" aria-label=\"AFRIKAMERA\" class=\"teaser teaser-cta-wide \">\n\t\t\t\t\t\t<div class=\"teaser-image\">\n\t\t\t\t\t\t\t\n\t<lazy-media-inline inline-template>\n\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_69f33c1b475c1\" aria-labelledby=\"desc_media_69f33c1b475c1\">\n\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : 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: \"A red film frame overlay on a dark background, revealing a scene underneath.\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Play video\",\n\t\t\t\t\"brightness\" : \"80\",\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : true,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t<div class=\"height-container\" style=\"padding-bottom:58.515625%;\" v-if=\"sizes\">\n\t\t\t\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\" media-id=\"desc_media_69f33c1b475c1\"><\/lazy-media>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<figcaption class=\"sr-only\" ref=\"body\" id=\"desc_media_69f33c1b475c1\">\n\t\t\t\t\t\t\t\t\t\t\t<div>Key Visual Afrikamera \n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t<\/figure>\n\t<\/lazy-media-inline>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"teaser-content \">\n\t\t\t\t\t\t\t<div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"teaser-header\"><span class=\"h3\">AFRIKAMERA<\/span><\/div>\n\t\t\t\t\t\t\t\t<div class=\"teaser-subline\"><span class=\"font-decoration\">African Cinema Film Festival<\/span><\/div>\t\t\t\t\t\t\t\t<button tabindex=\"-1\" class=\"border\">To the festival overview<\/button>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-teaser col-lane33 \" style=\"\">\n\t\t\t\t\t\t<teaser-lane-with-buttons inline-template tracking-label=\"Practical info\">\n\t\t\t\t<div>\n\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t<div class=\"row middle-xs\">\n\t\t\t\t\t\t\t<div class=\"col-xs-10 col-sm-8\">\n\t\t\t\t\t\t\t\t<h3 class=\"h4 topline\">Practical info<\/h3>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-xs-2 col-sm-4 end-xs margin-bottom-sixth\">\n\t\t\t\t\t\t\t\t<teaser-lane-buttons :visible_prev=\"visible_prev\" :visible_next=\"visible_next\" @prev=\"prev\" @next=\"next\"><\/teaser-lane-buttons>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"teaser-lane-wrapper\">\n\t\t\t\t\t\t<ul class=\"teaser-lane\">\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/teaser-lane-with-buttons>\n\t\t\t<\/section>","protected":false},"template":"","genre":[846,1543],"digital":[],"topic":[],"stakeholder":[595],"editorial":[],"editorialfilter":[],"targetgroup":[585,715],"language":[580],"accessability":[],"age":[],"school":[],"groupsize":[],"place":[884],"class_list":["post-56537","event","type-event","status-publish","has-post-thumbnail","hentry","genre-festival-en","genre-videoinstallation-2-en","stakeholder-stiftung-humboldt-forum-im-berliner-schloss-en","targetgroup-adults","targetgroup-teenager","language-english","place-ground-floor-hall-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/56537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":12,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/56537\/revisions"}],"predecessor-version":[{"id":61171,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/56537\/revisions\/61171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media\/56237"}],"wp:attachment":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media?parent=56537"}],"wp:term":[{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/genre?post=56537"},{"taxonomy":"digital","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/digital?post=56537"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/topic?post=56537"},{"taxonomy":"stakeholder","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/stakeholder?post=56537"},{"taxonomy":"editorial","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorial?post=56537"},{"taxonomy":"editorialfilter","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorialfilter?post=56537"},{"taxonomy":"targetgroup","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/targetgroup?post=56537"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/language?post=56537"},{"taxonomy":"accessability","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/accessability?post=56537"},{"taxonomy":"age","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/age?post=56537"},{"taxonomy":"school","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/school?post=56537"},{"taxonomy":"groupsize","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/groupsize?post=56537"},{"taxonomy":"place","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/place?post=56537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}