{"id":98521,"date":"2023-09-04T12:15:31","date_gmt":"2023-09-04T10:15:31","guid":{"rendered":"https:\/\/www.humboldtforum.org\/?post_type=event&#038;p=98521"},"modified":"2023-10-20T10:26:15","modified_gmt":"2023-10-20T08:26:15","slug":"culture-power-commerce","status":"publish","type":"event","link":"https:\/\/www.humboldtforum.org\/en\/programm\/termin\/film-video-en\/culture-power-commerce-98521\/","title":{"rendered":"Culture &#8211; Power &#8211; Commerce"},"content":{"rendered":"<section class=\"block block-copy\" >\n    <div class=\"container-fluid\">\n\t\t<div class=\"row \">\n            <div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n                <div class=\"box\">\n                    <div class=\"copy\"><p>Far from Berlin, the palaces of culture in Bucharest, Kyiv, Prague, Sofia and Warsaw have stood in urban spaces for decades. After the worldwide change at the beginning of the 1990s, the use and acceptance of the large buildings changed massively. The video installation &#8220;Culture &#8211; Power &#8211; Commerce&#8221; captures this change. With their works, the contemporary video artists Dora Huiban (Bucharest), Yarema Malashchuk and Roman Khimei (Kyiv), Haruna Honcoop (Prague), Voin de Voin (Sofia), and Karolina Pawelczyk and J\u0119drek Filu\u015b (Warsaw) show their personal view of the palaces of culture in their cities. Today, many palaces are commercial buildings for events, places for art and culture or seats of parliament and are thus used in a completely different way than intended by their builders. The videos paint a contemporary and artistic picture of the cultural, architectural and civic use of the buildings.<\/p>\n<\/div>\n                <\/div>\n            <\/div>\n\t\t<\/div>\n\t\t    <\/div>\n<\/section>\n\n\n<section class=\"block block-gallery-moderated\" >\n\t<block-gallery-moderated inline-template>\n\t\t<div>\n\t\t\t<div class=\"block-gallery-moderated-video\" :class=\"{ firstLoaded: firstLoaded }\">\n\t<script type=\"application\/json\" ref=\"data\">\n\t\t{\n\t\t\t\"images\" : [{\"id\":0,\"width\":1280,\"height\":720,\"alt\":\"Water tower with a fountain in the foreground and a tall clock tower in the background. 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Karolina Pawlczyk (PL)<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item\">\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item-dot\"><\/div>\n\t\t\t\t\t\t<div class=\"Teaser-subinfo-small uppercase overline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<h6 class=\"H6 H6-copy headline\">The ghost of culture &#8211; Voin de Voin (BGR)<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item\">\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item-dot\"><\/div>\n\t\t\t\t\t\t<div class=\"Teaser-subinfo-small uppercase overline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<h6 class=\"H6 H6-copy headline\">Five Evacuation Routes from the Palace Ukraine &#8211; Roman Khimei und Yarema Malashchuk (UKR)<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item\">\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item-dot\"><\/div>\n\t\t\t\t\t\t<div class=\"Teaser-subinfo-small uppercase overline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<h6 class=\"H6 H6-copy headline\">PA-COOL &#8211; Haruna Honcoop (CZ)<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item\">\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-copy-item-dot\"><\/div>\n\t\t\t\t\t\t<div class=\"Teaser-subinfo-small uppercase overline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<h6 class=\"H6 H6-copy headline\">THE HOUSE OF THE PEOPLE &#8211; Dora Huiban (RO)<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/swiper>\n<\/div>\n\n\t\t\t<div class=\"block-gallery-moderated-nav\">\n\t\t<div class=\"block-gallery-moderated-nav-shadow\"><\/div>\n\t<div class=\"swiper-progress-pos\" v-html=\"(currentSlide+1)\">1<\/div>\n\t<div class=\"swiper-progress-count\">5<\/div>\n\n\t<div class=\"swiper-progress\" ref=\"progress\">\n\t\t\t\t\t<div class=\"swiper-progress-item swiper-progress-item-0\" data-index=\"0\">\n\t\t\t\t<div class=\"swiper-progress-item-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"swiper-progress-item swiper-progress-item-1\" data-index=\"1\">\n\t\t\t\t<div class=\"swiper-progress-item-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"swiper-progress-item swiper-progress-item-2\" data-index=\"2\">\n\t\t\t\t<div class=\"swiper-progress-item-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"swiper-progress-item swiper-progress-item-3\" data-index=\"3\">\n\t\t\t\t<div class=\"swiper-progress-item-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<div class=\"swiper-progress-item swiper-progress-item-4\" data-index=\"4\">\n\t\t\t\t<div class=\"swiper-progress-item-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t<button class=\"icon-background-white swiper-button-prev  swiper-button-disabled\" slot=\"button-prev\" @click=\"prevVideo\" aria-label=\"Last images\">\n\t\t<span class=\"icon-arrow-rechts\"><\/span>\n\t<\/button>\n\n\t<button class=\"icon-background-white swiper-button-next\" slot=\"button-next\" @click=\"nextVideo\" aria-label=\"Next image\">\n\t\t<span class=\"icon-arrow-rechts\"><\/span>\n\t<\/button>\n\n\n\t<button class=\"swiper-toggle-btn icon-background icon-play\" @click=\"toggle\" v-if=\"!isPlaying\" aria-label=\"play video\"><\/button>\n\t<button class=\"swiper-toggle-btn icon-background icon-pause\" @click=\"toggle\" v-if=\"isPlaying\" aria-label=\"pause\"><\/button>\n\t<\/div>\t\t<\/div>\n\t<\/block-gallery-moderated>\n<\/section>\n\n<section class=\"block block-lazy-media-info\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row end-xs\">\n\t\t\t<div class=\"col-xs-12\">\n\t\t\t\t<lazy-media-info-as-block inline-template>\n\t\t\t\t\t<div class=\"lazy-media-info\" aria-expanded=\"false\" :aria-expanded=\"isOpen ? 'true' : 'false'\">\n\t\t\t\t\t\t<button class=\"lazy-media-info-head button-tiny\" :class=\"{'button-active': isOpen}\" @click=\"toggle\" ref=\"head\"><span class=\"button-label insignificant\">Image info<\/span><\/button>\n\t\t\t\t\t\t<figcaption class=\"lazy-media-info-body\" ref=\"body\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t<div><strong>image 1:<\/strong><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Screenshot of the video installation &quot;All I wanted was to break your walls&quot;\/ Warsaw at Culture &ndash; Power &ndash; Commerce on the themed weekend Post\/ Socialist Palaces<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Karolina Pawlczyk<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t<div><strong>image 2:<\/strong><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Screenshot of the video installation &quot;THE GHOST OF CULTURE&quot;\/ Sofia at Culture &ndash; Power &ndash; Commerce on the themed weekend Post Office\/ Socialist Palaces<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Voin de Voin<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t<div><strong>image 3:<\/strong><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Screenshot of the video installation &quot;Five Evacuation Routes from the Palace Ukraine&quot;\/ Kyiv at Culture &ndash; Power &ndash;&nbsp;Commerce at the themed weekend Post\/ Socialist Palaces<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Roman Khimei und Yarema Malashchuk <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t<div><strong>image 4:<\/strong><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Screenshot of the video installation &quot;PA-COOL&quot;\/ Prague at Culture &ndash; Power &ndash; Commerce on the themed weekend Post\/ Socialist Palaces<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Haruna Honcoop <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"lazy-media-info-body-content\">\n\t\t\t\t\t\t\t\t<div><strong>image 5:<\/strong><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div>Screenshot of the video installation &quot;THE HOUSE OF THE PEOPLE&quot;\/ Bucharest at Culture &ndash; Commerce &ndash;&nbsp;Power on the themed weekend Post\/ Socialist Palaces <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"insignificant\">\u00a9 Dora Huiban<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<div class=\"lazy-media-info-head-border\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/lazy-media-info-as-block>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-accordion\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-2 col-md-8\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t<block-accordion inline-template>\n\t\t\t\t\t\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"PA-COOL - Haruna Honcoop (CZ) \">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"PA-COOL-HarunaHoncoopCZ\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69ecb43d62a96\" id=\"acc_title_69ecb43d62a99\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">PA-COOL &#8211; Haruna Honcoop (CZ) <\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69ecb43d62a96\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>Every piece of exceptional architecture has a tumultuous past that is still present in every stone or concrete block.<\/p>\n<p>The present day Prague Congress Centre conceals the former Palace of Culture. It was constructed over a five-year period (1976\u20131981), at the height of the 20 years of so called \u201enormalisation\u201c under the communist regime, following the occupation of the former Czechoslovakia. Huge Palace with 50 elevators, and a puzzle of 70 meeting rooms, clubs, and large halls, including the giant Assembly Hall with 2 764 seats, was used for the communist party\u2019s general and regular meetings, and therefore disliked or even hated by \u201enormal\u201c people. Its awkward, wide, turtle-like architecture in neo-functionalist style was frequently referred to as &#8220;Moby Dick&#8221; (because of its enormous size), or \u201cMassholder\u201c (in the sense of a gasholder, Lidojem in Czech), or \u201ePakul&#8221; (as the name&#8217;s abbreviation).<\/p>\n<p>I nick-named it Pa-cool, as I can still feel the freezing draught of Siberian wind blowing through the long miles of corridors connecting the labyrinth of separate floors, halls and rooms of this portentous building. The cool air has been reinforced in the inner design with vast spaces, low ceilings and many grandiose chandeliers, heavy furniture, marble and wooden panels, tapestries, glass objects and other artistic decoration overflowing in snobbish elegance, even though created by the top Czech artists of the late 20th century. The only natural delight in this cool place is the breath-taking view of the wide panorama of Prague castle and the townscape which can be admired from its front glass walls.<\/p>\n<p>The location close to the Nusel Bridge, which is frequently referred to as a suicide bridge and has a busy motorway across the valley, as well as the space&#8217;s megalomaniacal scale all contribute to the place&#8217;s spell continuing to hold.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Haruna Honcoop<\/strong>\u00a0is a Czech-Japanese filmmaker, graduate of the Film and TV School of the Academy of Performing Arts in Prague (FAMU), where she is currently a PhD candidate writing about Chinese independent documentary film. Her film essay\u00a0<em>Built to Last &#8211; Relics of Communist-Era Architecture\u00a0<\/em>(2017) was awarded the Archfilm Lund festival prize. Her short film\u00a0<em>True or False<\/em>\u00a0(2016) won a prize at This Human World festival in Vienna.\u00a0<em>Olympic Halftime,<\/em> a documentary film that deals with the architecture and urbanism of Olympic cities in Beijing, Tokyo, Paris and Athens, as well as the German-French co-production <em>Annexions\u00a0<\/em>will both premiere in 2023. She is currently developing a new documentary film <em>I Am Taiwanese\u00a0<\/em>about the political identities of Taiwanese and Eastern Europeans.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"FIVE EVACUATION ROUTES FROM THE PALACE UKRAINE - Roman Khimei + Yarema Malashchuk (UKR)\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"FIVEEVACUATIONROUTESFROMTHEPALACEUKRAINE-RomanKhimeiYaremaMalashchukUKR\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69ecb43d62e47\" id=\"acc_title_69ecb43d62e49\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">FIVE EVACUATION ROUTES FROM THE PALACE UKRAINE &#8211; Roman Khimei + Yarema Malashchuk (UKR)<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69ecb43d62e47\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>On the 31st of December, a Russian rocket hit just about 100 meters next to Palace Ukraina, blowing up its facade and windows. Since then, the concerts happening at the Kyiv\u2019s biggest venue have to follow new strict safety regulations. The attendances must rush to the nearby bomb shelter, the closest metro station, immediately after the air raid alarms go off.<span class=\"gmail-apple-converted-space\">\u00a0<\/span><\/p>\n<p>A constant thread that follows you at every massive gathering is an unwanted suspense<span class=\"gmail-apple-converted-space\">\u00a0 <\/span>that comes with every ticket purchased in Ukraine nowadays.<\/p>\n<p>&nbsp;<\/p>\n<p>Collaborating at the intersection of visual art and cinema since 2013, Kyiv-based artists and filmmakers, <strong>Roman Khimei<\/strong>\u00a0and\u00a0<strong>Yarema Malashchuk<\/strong>\u00a0graduated as cinematographers from the Kyiv National Theatre, Cinema and Television University. Through their films and video installations, they explore the image of the crowd, as a separate character in history and culture. They were awarded the main award of the PinchukArtCentre Prize (2020), VISIO Young Talent Acquisition Prize (2021). Their debut documentary feature \u201cNew Jerusalem\u201d received the Special Mention Award at Kharkiv MeetDocs. Their video works are in collections of Museum of Contemporary Art Antwerp, Frac Bretagne, and Fondazione In Between Art Film. Khimei and Malaschuk are members of the art group Prykarpattian Theater which is currently working on the project Theater of Hopes and Expectations.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"ALL I WANTED WAS TO BREAK YOUR WALLS - Karolina Pawlczyk + J\u0119drek Filu\u015b (PL)\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"ALLIWANTEDWASTOBREAKYOURWALLS-KarolinaPawlczykJdrekFiluPL\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69ecb43d630f4\" id=\"acc_title_69ecb43d630f5\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">ALL I WANTED WAS TO BREAK YOUR WALLS &#8211; Karolina Pawlczyk + J\u0119drek Filu\u015b (PL)<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69ecb43d630f4\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>In &#8220;All I wanted was to break your walls&#8221; Rob Wasiewicz plays an ardent tour guide at a post-Soviet palace of culture. His deep connection to the building verges on obsession as he falls in love with its architectural grandeur. However, his world shatters when he learns that the palace faces imminent demolition, leaving him desperately trying to save it. Despite his efforts to organise meetings and debates, no one shows up to support his cause. In a last-ditch attempt, he decides to host one final tour, but only two last-minute participants join him. Together, they explore the palace&#8217;s hidden treasures, forging unexpected bonds.<\/p>\n<p>Written and Directed by Karolina Pawelczyk &amp; J\u0119drek Filu\u015b<br \/>\nCinematography Magdalena Bojdo<br \/>\nEditing Agnieszka Bia\u0142ek-Zaborowska<br \/>\nCostumes Taso J\u0119chorek, Kuba Wydra<br \/>\nMusic Tymek Bryndal<br \/>\nColourist Rafa\u0142 Kruszka<br \/>\nGraphic Design Aleksandra O\u0142dak<br \/>\nCast Rob Wasiewicz, Magda Szpecht, Kuba Wydra<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Karolina Pawelczyk<\/strong>\u00a0is a visual artist. She creates multilayered, performative and narrative spatial installations using video, sculpture, sound and other media. Her works analyze the paradoxes of modernity and the tension between the need to find new forms of political and ethical action (that would be appropriate to a technologically mediated world) and the inertia of our established and algorithmized thought patterns.<\/p>\n<p>She is a graduate of Photography at the University of Arts in Pozna\u0144 and Media Art at the Academy of Fine Arts in Warsaw. She is a member of the New Centre for Research and Practice and collaborates with the Office for Post-Artistic Services.<\/p>\n<p>Her works have been shown at the Zach\u0119ta National Art Gallery in Warsaw, the Museum of Modern Art in Warsaw, the Arsenal Municipal Gallery in Pozna\u0144, the Short Waves Festival in Pozna\u0144, and as part of the UNESCO Creative Cities Network in Amarante (Portugal), among others. She also participated in the ING Polish Art Foundation Mentoring Program (2021) and was a finalist of the 19th Hestia Artistic Journey.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>J\u0119drek Filu\u015b <\/strong>is an artist who has been involved in various exhibitions, art research projects, and creative collaborations in the worlds of theater and film, often blurring the lines between art and politics. His work revolves around exploring dreams, desires, and alternative futures, all while addressing identity politics and making subtle interventions in everyday life. These projects have taken him to cities like Berlin, London, Nottingham, Poznan, Stockholm, Tbilisi, and Warsaw. Some of them have happened in big-name places like Tate Modern, POLIN, and Malta Festival, while others have been the product of grassroots collaborations within close-knit communities.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"THE GHOST OF CULTURE - Voin de Voin (BGR)\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"THEGHOSTOFCULTURE-VoindeVoinBGR\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69ecb43d633cc\" id=\"acc_title_69ecb43d633cd\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">THE GHOST OF CULTURE &#8211; Voin de Voin (BGR)<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69ecb43d633cc\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>The National Palace of Culture in Sofia opened its doors in 1981 in celebration of Bulgaria&#8217;s 1300th anniversary. The palace was initiated at the suggestion of Lyudmila Zhivkova, the daughter of the communist leader Todor Zhivkov. Instead of the planned twelve years of completion it was built in the remarkable four years in order to fulfill the desirable deadline. More steel was used than building the Eiffel tower. Numerous artists were commissioned to produce artworks aiming to last for centuries: murals, sculptures, mosaics and paintings representing the cultural and historical heritage of the State.<\/p>\n<p>The film \u201cThe Ghost of Culture\u201d drifts between the utopian idea of a universal palace of Culture where different art forms\/disciplines emerge in order to meet the needs of a larger audience. The film uses archive footage from the construction site dating back to 1977 combined with the actual opening of the palace. Buzzling actions and movement of people draw a picture of prosperity and national Socialist pride, in large.<\/p>\n<p>The year is 2023 \u2014 The National Palace of Culture aka NDK \u2014 a ghost building &#8211; semiprivate semi public, where entering becomes an obstacle. The second part of the film exposes the power structure dynamics at present, when it becomes apparent that hierarchical and authoritarian principles are still in place and they serve as an active tool and treatment to both citizens and workers by the ones in supreme positions.<\/p>\n<p>The documentary style of the camera captures the present state of affairs and digs into the complex narrative or redirection, or the inability to access or unmask. The movie leaves us with the shadow of both &#8211; the benefit and the doubt, of what is there to be uncovered?<\/p>\n<p>Questions remain: What is the meaning \/or purpose of this monument-building such as NDK nowadays, becoming a ghost itself, reminiscent of the past looking at the present?<\/p>\n<p>What does it represent and who does it serve? How important is Culture in the current status quo?<\/p>\n<p>director: Voin de Voin<br \/>\ncamera operator: Rayna Teneva<br \/>\ndrone footage: Dimitar Yankov<br \/>\nvideo editor: Michaela Lakova<br \/>\nmusic: \u201cChaotic Sunrise\u201d by Violetov General<br \/>\narchive footage: \u201cNational Palace of Culture celebrates 40 years\u201d<br \/>\n\u041a\u0443\u043b\u0442\u0443\u0440\u0430.\u0411\u0413\/Culture.BG, aired on 12.04.2021, Bulgarian National Television (BNT)<br \/>\n\u201cSymbols of NDK\u201d, aired on 25.02.2022, Bulgarian National Television<br \/>\nCommissioned by Humboldt Forum and<br \/>\nFinancially supported by <a href=\"https:\/\/singer-zahariev.eu\/\">Singer-Zahariev Foundation<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Voin de Voin<\/strong>\u00a0(born 1978) lives and works in Sofia. He completed his master&#8217;s degree at Das Arts &#8211; Institute of the Advance Research in the Performing Arts and his bachelor&#8217;s degree at Gerrit Rietveld Academy and also obtained a diploma from SNDO- School for New Dance Development, Amsterdam.<\/p>\n<p>Since 2016 he has been running the independent art space \u00c6ther in Sofia together with Marie Civikov, with an outpost in The Hague &#8211; \u00c6ther Haga. \u00c6ther is a partner of Schloss Solitude Academy, Stuttgart, the Eastern European Networks extension and exchange program between 2018 and 2021. He also organizes and curates SAW Sofia Art Week, which has been held annually since 2016. Together with Dutch curator and educator Lisette Smith, he founded a platform for alternative education, School of Kindness, since 2020.<\/p>\n<p>Voin de Voin works in various fields of visual arts, from performance to installation, incorporating his research on collective rituals and human behavior, gender studies, ancestral knowledge, psychogeography, sociology, and parapsychology. He celebrates art as activism. His work has been shown in institutional and non-institutional spaces, art fairs, performance venues, festivals, museums, public spaces, and nature around the world.<\/p>\n<p>In 2023, his anti-war activities in Bulgaria confronted various civil society constructs such as marriage, prison, and media censorship. He also participated in a group exhibition in Munich organized by the Rosa Stern Art Collective, participated in the parallel program of the Kochi Biennale in India and had an exhibition at the Clearing Gallery in New York, the Macedonian Opera and Ballet in Skopje and others.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<block-accordion-item inline-template item-headline=\"THE HOUSE OF THE PEOPLE - Dora Huiban (RO)\">\n\t\t\t\t\t\t\t\t<div ref=\"item\" data-id=\"THEHOUSEOFTHEPEOPLE-DoraHuibanRO\" class=\"block-accordion-item vue-initialize\" aria-expanded=\"false\" :aria-expanded=\"active ? 'true' : 'false'\">\n\t\t\t\t\t\t\t\t\t<button class=\"accordion-button-with-icon block-accordion-item-head\" :class=\"{'button-active': active}\" ref=\"head\" aria-controls=\"acc_69ecb43d63664\" id=\"acc_title_69ecb43d63665\" @click=\"toggle\" @keydown=\"key\">\n\t\t\t\t\t\t\t\t\t<div><span class=\"button-label\">THE HOUSE OF THE PEOPLE &#8211; Dora Huiban (RO)<\/span><\/div><span class=\"button-icon icon-plus\" aria-hidden=\"true\"><\/span>\n\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t\t\t\t<div ref=\"body\" class=\"block-accordion-item-content\" id=\"acc_69ecb43d63664\" role=\"region\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"wrapper copy\">\n\t\t\t\t\t\t\t\t\t\t\t<p>THE HOUSE OF THE PEOPLE &#8211; this imposing communist edifice, recalls the megalomaniacal obsessions of the dictator Nicolae Ceau\u0219escu. The irony of the building&#8217;s name is well known among Romanians, being rather a communist pretext to mask the truth: &#8216;The House of The People&#8217; is not meant for ordinary people, mostly serving the political power (current Palace of the Parliament). Any grand construction involves sacrifice: in 1983, the dictator commanded the eradication of Bucharest&#8217;s Uranus neighbourhood in order to begin the construction of &#8220;THE HOUSE OF THE PEOPLE&#8221;.<\/p>\n<p>This video is meant to project its &#8216;visitors&#8217; into the geometrized interior of the palace, in which the human presence seems to be lost in the setting. It is an attempt to enliven a cold, impersonal space through a series of playful gestures and distorted perspectives (as in a ritual). In the end, the questions remain: Is it a waste of space? Does it deserve its reputation? Was it worth sacrificing the old neighbourhood? How long will this &#8220;patched&#8221; construction last?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dora Huiban<\/strong>, born 2000, is an emerging artist, who lives in Bucharest, Romania. She graduated from the National University of Arts Bucharest. Currently, she is pursuing a master&#8217;s degree in Visual Arts (Photography and Dynamic Image). Her projects explore the connections between habitats and inhabitants (how do they influence each other?), focusing on metamorphosis and contamination. Since childhood, she has been intrigued by fantasy realms, which serves as a main source of inspiration. Her artistic practice involves large-scale installations with found objects, photographs, experimental films or recorded performances.<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-9 col-md-9\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/block-accordion-item>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/block-accordion>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n","protected":false},"template":"","genre":[803,563],"digital":[],"topic":[590],"stakeholder":[595],"editorial":[],"editorialfilter":[],"targetgroup":[585],"language":[579],"accessability":[],"age":[],"school":[],"groupsize":[],"place":[1180,1803],"class_list":["post-98521","event","type-event","status-publish","has-post-thumbnail","hentry","genre-film-video-en","genre-other","topic-history-and-architecture-of-the-site","stakeholder-stiftung-humboldt-forum-im-berliner-schloss-en","targetgroup-adults","language-german","place-hall-1-ground-floor","place-saal-1-eg"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/98521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":11,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/98521\/revisions"}],"predecessor-version":[{"id":105433,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/event\/98521\/revisions\/105433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media\/93714"}],"wp:attachment":[{"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/media?parent=98521"}],"wp:term":[{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/genre?post=98521"},{"taxonomy":"digital","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/digital?post=98521"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/topic?post=98521"},{"taxonomy":"stakeholder","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/stakeholder?post=98521"},{"taxonomy":"editorial","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorial?post=98521"},{"taxonomy":"editorialfilter","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/editorialfilter?post=98521"},{"taxonomy":"targetgroup","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/targetgroup?post=98521"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/language?post=98521"},{"taxonomy":"accessability","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/accessability?post=98521"},{"taxonomy":"age","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/age?post=98521"},{"taxonomy":"school","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/school?post=98521"},{"taxonomy":"groupsize","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/groupsize?post=98521"},{"taxonomy":"place","embeddable":true,"href":"https:\/\/www.humboldtforum.org\/en\/wp-json\/wp\/v2\/place?post=98521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}