Depot visit with poet-in-residence Logan February for “Objects Talk Back”
© Stiftung Humboldt Forum im Berliner Schloss, Photo: Stefanie Loos
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A Yorùbá door, carved from iroko wood in the twentieth century, lies hidden in the depot of the Ethnological Museum—unreachable in materiality and meaning. As the first poet-in-residence at the Humboldt Forum, Nigerian author Logan February confronts a conundrum of agency: who grants, and who gains access? How does native knowledge resonate in this fraught proximity to the object? Where there is no door, what becomes of privacy, consent, and the sacred?

Combining prose poems with reflections on the research process, this psychedelic essay created for Objects Talk Back turns absence into adventure. Through the mysteries of a lost serpent cult, the legacy of master carvers, anonymous and renowned alike, and a spiritual sensing of objects made invisible to the searching eye, we go far beyond the door.

Logan February’s writing enacts a parallel act of carving, creating a glorious portal through words. For the poet, it is the fruit of a kind of failure, a mournful triumph of imaginary possibility over material loss. Across history’s gaps, poet and door commune to overwrite the museum’s omnipresent law: Please keep your distance from the objects.

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In the Humboldt Forum's foyer there is a 17 meter high media tower, called "cosmograph". It gives visitors comprehensive information about their visit and can transform into an art and light installation.
© SHF / David von Becker
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