Nhi Duong, participant at the CoMuse Fellowship Programme
© Staatlichen Museen zu Berlin, Foto: Pierre Adenis
image 1:
Nhi Duong, participant at the CoMuse Fellowship Programme
© Staatlichen Museen zu Berlin, Foto: Pierre Adenis
Past events
{{ time.start_TS | TS2dateFormat('DD') }}
{{ time.start_TS | TS2dateFormat('MMM') }}
{{ time.start_TS | TS2dateFormat('YYYY') }}

When Vietnam was a politically divided country, two different styles of music developed there. Nhi Duong, a research fellow at the Ethnological Museum, is interested in how Vietnamese music reflects this divided history of the country. Her research focuses on the involvement of Vietnamese communities in Berlin. She aims to transform the audio recordings from the Berlin Phonogramm archive into a living, dynamic archive that is supported by the community. It explores how diasporic communities reconnect with their musical heritage.

As part of the Guest Room, Nhi Duong invites you to a listening session where the archive recordings can be heard in public for the first time. She will be working together with Lưu Bích Ngọc and other Vietnamese people living in Berlin.

In January 1954, the foreign ministers of the Soviet Union, the United States, Great Britain and France met in Berlin and decided to convene an international conference in Geneva to decide on the restoration of peace in Indochina, including Vietnam. The Geneva Accords established the 17th parallel as a temporary separation between North and South Vietnam. From this point onwards, two different political and social systems developed in the two regions – the North was united in its commitment to building socialism, while the South, with the government in Saigon and the support of the USA, established the Republic of Vietnam. This led to the emergence of two genres: nhạc đỏ (red music), which represented the North, and nhạc vàng (yellow/golden music), which represented the South. Two different ideologies are embedded in the lyrics and rhythms, pointing to two very different perceptions of Vietnamese origins, war and fatherland.

During her CoMuse fellowship, Nhi Duong considers the Vietnamese song recordings held in the museums’ collection not only as a closed collection, but also as historical evidence and resources for the mutual contribution of contemporary Vietnamese communities in Berlin through digital mediation. How do they interact, interpret, improvise and integrate as cultural subjects with the songs and folklore they have produced?

read more read less

Participants

Duong Doan Tuyet Nhi is a cultural worker and organizer based in Ho Chi Minh City, Vietnam. Her work centers on the intersections of anthropology, Indigenous knowledge, public engagement, and art.

With the project Reimagining Intangible Heritage in Museums: A Participatory Approach to Cultural Cosmology, Nhi seeks to explore ways of bringing intangible heritage—particularly folk songs—out of museum archives and into dialogue with the contemporary Vietnamese diaspora community in Berlin. Her research poses the following questions: How do different generations of Vietnamese-German individuals relate to and interpret their heritage? What role can digital technologies play in making sound archives more accessible and collaborative? How can community voices be integrated into institutional sound collections? Through participatory methods that combine digital platforms with physical workshops, the project aims to forge connections between historical sound archives and the voices of present-day communities.

Nhi Duong, participant at the CoMuse Fellowship Programme
© Staatlichen Museen zu Berlin, Foto: Pierre Adenis

Lưu Bích Ngọc (she/her) is a Berlin-based cultural worker. Her focus is on the accessibility and empowerment in the arts, culture, and academia, especially with transdisciplinary-intersectional approaches.
She co-coordinated ‘translated beings’ (2024), a funded project for young Viet Queers of first-generation in Berlin.
Her zine ‘nhớ nhớ quên quên’ (2025) studies the practices of mourning and rememberance between marginalized communities in Central Vietnam and Berlin.
Most recently, she curated two film festivals titled ‘Dear Vietnam’ (2024) and ‘Vietnam 50!’ (2025).

part of

Partner

Nhi Duong is a CoMuse Fellow at the Ethnologisches Museum and the Museum für Asiatische Kunst in June, July and August 2025.

CoMuse – The Collaborative Museum is an initiative by the Ethnologisches Museum and the Museum für Asiatische Kunst that aims to develop multi-perspective approaches to collection-based research and to test new formats of international collaborative processes in order to intensify the decolonization and diversification of museum practices in sustainable ways.

The CoMuse Fellowship programme is supported by Künstlerhaus Bethanien, which provides a studio for artistic and scientific research.

CoMuse
Ethnologisches Museum
Künstlerhaus Bethanien
© Stiftung Humboldt Forum im Berliner Schloss / Staatliche Museen zu Berlin, Museum für Asiatische Kunst und Ethnologisches Museum, Fotos: Claudia Obrocki; Martin Franken; Philipp Jester / Jens Blank
Visit the collections on the 2nd and 3rd floor

In the Humboldt Forum's foyer there is a 17 meter high media tower, called "cosmograph". It gives visitors comprehensive information about their visit and can transform into an art and light installation.
© SHF / David von Becker

Stay up to date.

Subscribe to our newsletter
Newsletter

Don’t miss out on the latest news and updates about our programme!

Subscribe now